Listing entries tagged with media

lessig: read/write internet under threat   02.17.2006, 1:51 PM

In an important speech to the Open Source Business Conference in San Francisco, Lawrence Lessig warned that decreased regulation of network infrastructure could fundamentally throw off the balance of the "read/write" internet, gearing the medium toward commercial consumption and away from creative production by everyday people. Interestingly, he cites Apple's iTunes music store, generally praised as the shining example of enlightened digital media commerce, as an example of what a "read-only" internet might look like: a site where you load up your plate and then go off to eat alone.

Lessig is drawing an important connection between the question of regulation and the question of copyright. Initially, copyright was conceived as a way to stimulate creative expression -- for the immediate benefit of the author, but for the overall benefit of society. But over the past few decades, copyright has been twisted by powerful interests to mean the protection of media industry business models, which are now treated like a sacred, inviolable trust. Lessig argues that it's time for a values check -- time to return to the original spirit of copyright:

It's never been the policy of the U.S. government to choose business models, but to protect the authors and artists... I'm sure there is a way for [new models to emerge] that will let artists succeed. I'm not sure we should care if the record companies survive. They care, but I don't think the government should.

Big media have always lobbied for more control over how people use culture, but until now, it's largely been through changes to the copyright statutes. The distribution apparatus -- record stores, booksellers, movie theaters etc. -- was not a concern since it was secure and pretty much by definition "read-only." But when we're dealing with digital media, the distribution apparatus becomes a central concern, and that's because the apparatus is the internet, which at present, no single entity controls.

Which is where the issue of regulation comes in. The cable and phone companies believe that since it's through their physical infrastructure that the culture flows, that they should be able to control how it flows. They want the right to shape the flow of culture to best fit their ideal architecture of revenue. You can see, then, how if they had it their way, the internet would come to look much more like an on-demand broadcast service than the vibrant two-way medium we have today: simply because it's easier to make money from read-only than from read/write -- from broadcast than from public access."

Control over culture goes hand in hand with control over bandwidth -- one monopoly supporting the other. And unless more moderates like Lessig start lobbying for the public interest, I'm afraid our government will be seduced by this fanatical philosophy of control, which when aired among business-minded people, does have a certain logic: "It's our content! Our pipes! Why should we be bled dry?" It's time to remind the media industries that their business models are not synonymous with culture. To remind the phone and cable companies that they are nothing more than utility companies and that they should behave accordingly. And to remind the government who copyright and regulation are really meant to serve: the actual creators -- and the public.

Posted by ben vershbow at 01:51 PM | Comments (6)
tags: Copyright and Copyleft , DRM , Network_Freedom , broadband , copyleft , copyright , internet , lessig , media , network_freedom , network_neutrality , policy , read/write_web

washington post and new york times hyperlink bylines   02.14.2006, 12:56 PM

In an effort to more directly engage readers, two of America's most august daily newspapers are adding a subtle but potentially significant feature to their websites: author bylines directly linked to email forms. The Post's links are already active, but as of this writing the Times, which is supposedly kicking off the experiment today, only links to other articles by the same reporter. They may end up implementing this in a different way.

screen grab from today's Post

The email trial comes on the heels of two notoriously failed experiments by elite papers to pull readers into conversation: the LA Times' precipitous closure, after an initial 24-hour flood of obscenities and vandalism, of its "wikatorials" page, which invited readers to rewrite editorials alongside the official versions; and more recently, the Washington Post's shutting down of comments on its "post.blog" after experiencing a barrage of reader hate mail. The common thread? An aversion to floods, barrages, or any high-volume influx of unpredictable reader response. The email features, which presumably are moderated, seem to be the realistic compromise, favoring the trickle over the deluge.

In a way, though, hyperlinking bylines is a more profound development than the higher profile experiments that came before, which were more transparently about jumping aboard the wiki/blog bandwagon without bothering to think through the implications, or taking the time -- as successful blogs and wikis must always do -- to gradually build up an invested community of readers who will share the burden of moderating the discussion and keeping things reasonably clean. They wanted instant blog, instant wiki. But online social spaces are bottom-up enterprises: invite people into your home without any preexisting social bonds and shared values -- and add to that the easy target of being a mass media goliath -- and your home will inevitably get trashed as soon as word gets out.

Being able to email reporters, however, gets more at the root of the widely perceived credibility problem of newspapers, which have long strived to keep the human element safely insulated behind an objective tone of voice. It's certainly not the first time reporters' or columnists' email addresses have been made available, but usually they get tucked away toward the bottom. Having the name highlighted directly beneath the headline -- making the reporter an interactive feature of the article -- is more genuinely innovative than any tacked-on blog because it places an expectation on the writers as well as the readers. Some reporters will likely treat it as an annoying new constraint, relying on polite auto-reply messages to maintain a buffer between themselves and the public. Others may choose to engage, and that could be interesting.

Posted by ben vershbow at 12:56 PM | Comments (2)
tags: Publishing, Broadcast, and the Press , Social Software , blogs , email , journalism , media , new_york_times , newspapers , social_software , washington_post , wikis

what I heard at MIT   01.26.2006, 9:47 AM

Over the next few days I'll be sifting through notes, links, and assorted epiphanies crumpled up in my pocket from two packed, and at times profound, days at the Economics of Open Content symposium, hosted in Cambridge, MA by Intelligent Television and MIT Open CourseWare. For now, here are some initial impressions -- things I heard, both spoken in the room and ricocheting inside my head during and since. An oral history of the conference? Not exactly. More an attempt to jog the memory. Hopefully, though, something coherent will come across. I'll pick up some of these threads in greater detail over the next few days. I should add that this post owes a substantial debt in form to Eliot Weinberger's "What I Heard in Iraq" series (here and here).

Naturally, I heard a lot about "open content."

I heard that there are two kinds of "open." Open as in open access -- to knowledge, archives, medical information etc. (like Public Library of Science or Project Gutenberg). And open as in open process -- work that is out in the open, open to input, even open-ended (like Linux, Wikipedia or our experiment with MItch Stephens, Without Gods).

I heard that "content" is actually a demeaning term, treating works of authorship as filler for slots -- a commodity as opposed to a public good.

I heard that open content is not necessarily the same as free content. Both can be part of a business model, but the defining difference is control -- open content is often still controlled content.

I heard that for "open" to win real user investment that will feedback innovation and even result in profit, it has to be really open, not sort of open. Otherwise "open" will always be a burden.

I heard that if you build the open-access resources and demonstrate their value, the money will come later.

I heard that content should be given away for free and that the money is to be made talking about the content.

I heard that reputation and an audience are the most valuable currency anyway.

I heard that the academy's core mission -- education, research and public service -- makes it a moral imperative to have all scholarly knowledge fully accessible to the public.

I heard that if knowledge is not made widely available and usable then its status as knowledge is in question.

I heard that libraries may become the digital publishing centers of tomorrow through simple, open-access platforms, overhauling the print journal system and redefining how scholarship is disseminated throughout the world.

And I heard a lot about copyright...

I heard that probably about 50% of the production budget of an average documentary film goes toward rights clearances.

I heard that many of those clearances are for "underlying" rights to third-party materials appearing in the background or reproduced within reproduced footage. I heard that these are often things like incidental images, video or sound; or corporate logos or facades of buildings that happen to be caught on film.

I heard that there is basically no "fair use" space carved out for visual and aural media.

I heard that this all but paralyzes our ability as a culture to fully examine ourselves in terms of the media that surround us.

I heard that the various alternative copyright movements are not necessarily all pulling in the same direction.

I heard that there is an "inter-operability" problem between alternative licensing schemes -- that, for instance, Wikipedia's GNU Free Documentation License is not inter-operable with any Creative Commons licenses.

I heard that since the mass market content industries have such tremendous influence on policy, that a significant extension of existing copyright laws (in the United States, at least) is likely in the near future.

I heard one person go so far as to call this a "totalitarian" intellectual property regime -- a police state for content.

I heard that one possible benefit of this extension would be a general improvement of internet content distribution, and possibly greater freedom for creators to independently sell their work since they would have greater control over the flow of digital copies and be less reliant on infrastructure that today only big companies can provide.

I heard that another possible benefit of such control would be price discrimination -- i.e. a graduated pricing scale for content varying according to the means of individual consumers, which could result in fairer prices. Basically, a graduated cultural consumption tax imposed by media conglomerates

I heard, however, that such a system would be possible only through a substantial invasion of users' privacy: tracking users' consumption patterns in other markets (right down to their local grocery store), pinpointing of users' geographical location and analysis of their socioeconomic status.

I heard that this degree of control could be achieved only through persistent surveillance of the flow of content through codes and controls embedded in files, software and hardware.

I heard that such a wholesale compromise on privacy is all but inevitable -- is in fact already happening.

I heard that in an "information economy," user data is a major asset of companies -- an asset that, like financial or physical property assets, can be liquidated, traded or sold to other companies in the event of bankruptcy, merger or acquisition.

I heard that within such an over-extended (and personally intrusive) copyright system, there would still exist the possibility of less restrictive alternatives -- e.g. a peer-to-peer content cooperative where, for a single low fee, one can exchange and consume content without restriction; money is then distributed to content creators in proportion to the demand for and use of their content.

I heard that such an alternative could theoretically be implemented on the state level, with every citizen paying a single low tax (less than $10 per year) giving them unfettered access to all published media, and easily maintaining the profit margins of media industries.

I heard that, while such a scheme is highly unlikely to be implemented in the United States, a similar proposal is in early stages of debate in the French parliament.

And I heard a lot about peer-to-peer...

I heard that p2p is not just a way to exchange files or information, it is a paradigm shift that is totally changing the way societies communicate, trade, and build.

I heard that between 1840 and 1850 the first newspapers appeared in America that could be said to have mass circulation. I heard that as a result -- in the space of that single decade -- the cost of starting a print daily rose approximately %250.

I heard that modern democracies have basically always existed within a mass media system, a system that goes hand in hand with a centralized, mass-market capital structure.

I heard that we are now moving into a radically decentralized capital structure based on social modes of production in a peer-to-peer information commons, in what is essentially a new chapter for democratic societies.

I heard that the public sphere will never be the same again.

I heard that emerging practices of "remix culture" are in an apprentice stage focused on popular entertainment, but will soon begin manifesting in higher stakes arenas (as suggested by politically charged works like "The French Democracy" or this latest Black Lantern video about the Stanley Williams execution in California).

I heard that in a networked information commons the potential for political critique, free inquiry, and citizen action will be greatly increased.

I heard that whether we will live up to our potential is far from clear.

I heard that there is a battle over pipes, the outcome of which could have huge consequences for the health and wealth of p2p.

I heard that since the telecomm monopolies have such tremendous influence on policy, a radical deregulation of physical network infrastructure is likely in the near future.

I heard that this will entrench those monopolies, shifting the balance of the internet to consumption rather than production.

I heard this is because pre-p2p business models see one-way distribution with maximum control over individual copies, downloads and streams as the most profitable way to move content.

I heard also that policing works most effectively through top-down control over broadband.

I heard that the Chinese can attest to this.

I heard that what we need is an open spectrum commons, where connections to the network are as distributed, decentralized, and collaboratively load-sharing as the network itself.

I heard that there is nothing sacred about a business model -- that it is totally dependent on capital structures, which are constantly changing throughout history.

I heard that history is shifting in a big way.

I heard it is shifting to p2p.

I heard this is the most powerful mechanism for distributing material and intellectual wealth the world has ever seen.

I heard, however, that old business models will be radically clung to, as though they are sacred.

I heard that this will be painful.

Posted by ben vershbow at 09:47 AM | Comments (5)
tags: Copyright and Copyleft , Education , Network_Freedom , Publishing, Broadcast, and the Press , Remix , academia , academy , broadband , conferences_and_excursions , copyleft , copyright , creative_commons , cyberlaw , democracy , economics , economics_of_open_content , film , freedom , internet , media , monopoly , music , network , open_content , open_spectrum , p2p , politics , publishing , scholarship , technology , wikipedia

.tv   01.09.2006, 6:15 PM

People have been talking about internet television for a while now. But Google and Yahoo's unveiling of their new video search and subscription services last week at the Consumer Electronics Show in Las Vegas seemed to make it real.

Sifting through the predictions and prophecies that subsequently poured forth, I stumbled on something sort of interesting -- a small concrete discovery that helped put some of this in perspective. Over the weekend, Slate Magazine quietly announced its partnership with "meaningoflife.tv," a web-based interview series hosted by Robert Wright, author of Nonzero and The Moral Animal, dealing with big questions at the perilous intersection of science and religion.

Launched last fall (presumably in response to the intelligent design fracas), meaningoflife.tv is a web page featuring a playlist of video interviews with an intriguing roster of "cosmic thinkers" -- philosophers, scientists and religious types -- on such topics as "Direction in evolution," "Limits in science," and "The Godhead."

This is just one of several experiments in which Slate is fiddling with its text-to-media ratio. Today's Pictures, a collaboration with Magnum Photos, presents a daily gallery of images and audio-photo essays, recalling both the heyday of long-form photojournalism and a possible future of hybrid documentary forms. One problem is that it's not terribly easy to find these projects on Slate's site. The Magnum page has an ad tucked discretely on the sidebar, but meaningoflife.tv seems to have disappeared from the front page after a brief splash this weekend. For a born-digital publication that has always thought of itself in terms of the web, Slate still suffers from a pretty appalling design, with its small headline area capping a more or less undifferentiated stream of headlines and teasers.

Still, I'm intrigued by these collaborations, especially in light of the forecast TV-net convergence. While internet TV seems to promise fragmentation, these projects provide a comforting dose of coherence -- a strong editorial hand and a conscious effort to grapple with big ideas and issues, like the reassuringly nutritious programming of PBS or the BBC. It's interesting to see text-based publications moving now into the realm of television. As Tivo, on demand, and now, the internet atomize TV beyond recognition, perhaps magazines and newspapers will fill part of the void left by channels.

Limited as it may now seem, traditional broadcast TV can provide us with valuable cultural touchstones, common frames of reference that help us speak a common language about our culture. That's one thing I worry we'll lose as the net blows broadcast media apart. Then again, even in the age of five gazillion cable channels, we still have our water-cooler shows, our mega-hits, our television "events." And we'll probably have them on the internet too, even when "by appointment" television is long gone. We'll just have more choice regarding where, when and how we get at them. Perhaps the difference is that in an age of fragmentation, we view these touchstone programs with a mildly ironic awareness of their mainstream status, through the multiple lenses of our more idiosyncratic and infinitely gratified niche affiliations. They are islands of commonality in seas of specialization. And maybe that makes them all the more refreshing. Shows like "24," "American Idol," or a Ken Burns documentary, or major sporting events like the World Cup or the Olympics that draw us like prairie dogs out of our niches. Coming up for air from deep submersion in our self-tailored, optional worlds.

Posted by ben vershbow at 06:15 PM | Comments (6)
tags: Publishing, Broadcast, and the Press , TV , broadband , broadcast , documentary , google , internet , journalism , media , media_consumption , multimedia , network , photography , religion , science , slate , television , yahoo

the year in ideas   01.01.2006, 11:17 PM

In developed nations, and in the US in particular, high-speed wireless access to the Internet is a given for the affluent and an achievable possibility for most. In the rest of the world, owning a computer is a dream for a community, and a fantasy for the individual. At this moment, away in the central mountains of Colombia, I am virtually disconnected from the world, though quite connected to the splendor of nature. I'm writing this relying on uncertain electricity that, if it fails, will be backed up by a gas generator that will keep food fresh and beer cold, the hell with the laptop. Reading one of last week's Medellín's newspapers, I was surprised to see news of the advent of the BlueBerry as a technological advance that will reach the city in early 2006. Medellín is a booming, sophisticated Third World city of more than 3.5 million people. This piece of news made clearer for me, more than ever, how in the US we take technology for granted when, in fact, it is the domain of only a small minority of the world. This doesn't mean that the rest don't need connectivity, it means that if they are being pushed to play in the global monopoly game, they must have it. From that perspective, I bring the New York Times Magazine's fifth edition of The Year in Ideas" (12/11/2005.) As always, it examines a number of trends and fads that, in a way or another, were markers of the year. Considering the year at the Institute and its pursuit of the meaningful among myriad innovations, I'll review some of the ideas the Times chose, that meet the ones the Institute brought to the front throughout the year. Beyond the noteworthy technological inventions, it is the human contribution, the users' innovative ways of dealing with what already exists in the Internet, which make them worth reflecting upon.

The political power of the blogosphere is an accepted fact, but it is the media infrastructure that passes on what is said on blogs what has given the conservatives the upper hand. Even though Howard Dean's campaign epitomized the power of the liberal blogosphere, the so called "Net roots" continue to be regarded as the terrain of young people with the time in their hands to participate in virtual dialogue. The liberal's approach blogs as a forum to air ideas and to criticize not only their opponents but also each other, differs greatly from that of the conservatives'. They are not particularly interested in introspection and use the Web to support their issues and to induce emotional responses from their base. But, it is their connection to a network of local and national talk-radio and TV shows what has given exposure and credibility to the conservative blogs. Here, we have a sad, but true, example of how it is the coalescence of different media what matters, not their insular existence.

The news media increasingly have been using the Web both as an enhancer and as a way to achieve two-way communications with the public. An exciting example of the meeting of journalism and the blog is the New Orleans Times-Picayune. Before Katrina hit the city, they set up a page on their Web site called "Hurricane Katrina Weblog." Its original function was supplemental. However, when the flood came and the printed edition was shut down, the blog became the newspaper. Even though the paper's staff kept compiling a daily edition as a download, the blog was brimming with posts appearing throughout the day and readership grew exponentially, getting 20 to 30 million page views per day. The paper continued posting carefully edited stories interspersed with short dispatches phoned or e-mailed to the newspaper's new headquarters in Baton Rouge. In the words of Paul Tough, "what resulted was exciting and engrossing and new, a stream-of-consciousness hybrid that combined the immediacy and scattershot quality of a blog with the authority and on-the-scene journalism of a major daily newspaper."

Joshua M. Marshall, editor of the blog Talkingpointsmemo.com, decided to ask his readers to share their knowledge of the ever spreading Washington scandals in an effort to keep abreast of news. He called his experiment "open-source investigative reporting." Marshall's blog has about 100,000 readers a day and he saw in them the potential to gather news in a nationwide basis. For instance, he relied on his readers' expertise with Congressional ethics code in order to determine if Jack Abramoff's gifts were violations. What Marshall has come up with is a very large news-gathering and fact-checking network, a healthy alternative to traditional journalism.

Podcasting has become another alternative to broadcasting which provides the ability to access audio and video programs as soon as they're delivered to your computer, or to pile them up as you do with written media. Now, through iTunes, we are experiencing the advent of homemade video postcasts. Some of them have already thousands of viewers. Potentially, this could become the next step of community access television.

The mash-up of data from different web sites has gained thousands of adepts. One of the first ones was Adrian Holovaty's Chicagocrime.org, a street map of Chicago from Google overlaid with crime statistics from the Chicago Police online database. Following this, many people started to make annotated maps, organizing all sorts of information geographically from real-estate listings to memory maps. The social possibilities of this personal cartography are enormous. The Times brings Matthew Haughey's "My Childhood, Seen by Google Maps," as an example of an elegant and evocative project. If we think of the illuminated maps that expanded the world and ignited the imagination of many explorers, this new form of cartography brings a similar human dimension to the perfect satellite maps.

Thomas Vander Wal has called "folksonomy" to tagging taken to the level of taxonomy. The labeling of people's photos, on Flicker for instance, gets richer by the additions of others who tag the same photos for their own use. Daniel H. Pink claims, "The cumulative force of all the individual tags can produce a bottom-up, self organized system for classifying mountains of digital material." In an interesting twist, several institutions that are part of the Art Museum Community Cataloging Project, including the San Francisco Museum of Modern Art and the Guggenheim, are taking a folksonomic approach to their online collections by allowing patrons to supplement the annotations done by curators, making them more accessible and useful to people.

The effort of Nicholas Negroponte, chairman of the MIT's Media Lab, to raise the funds to have a group of his colleagues design a no-frills, durable, and cheap computer for the children of the world is a terrific one. Having laptops equipped with a hand crank, in absence of electricity, and using wireless peer-to-peer connections to create a local network will make it easier to access the Internet from economically challenged areas of the world, notwithstanding the difficulties this presents. The detractors of Negroponte's effort claim that children in Africa, for instance, will not benefit from having access to the libraries of the world if they don't understand foreign languages; that children with little exposure to modern civilization will suddenly have access to pornography and commercialism; and that wealthy donors should concentrate on malaria eradication before giving an e-mail address to every child. Negroponte, as Jeffrey Sachs, Bono, Kofi Annan, and many others, know that education along with connectivity, are key to bring the next generation out of the poverty cycle to which they have been condemned by foreign powers interested in the resources of their countries, and by every corrupt local regime that has worked along the lines of those powers. The $100 laptop, accompanied by a sound and humane program to use them will bring enormous benefits.

A. O. Scott's review of the documentary as a genre that supplies satisfaction not from Hollywood formulas but from the real world, reminded me of Bob Stein's quest for thrills beyond technologically enhanced reality. A factor of the postmodern condition is the unprecedented immediate accessibility to the application of scientific knowledge that technology brings, accessibility that has permeated our relationships with and towards everything. Knowledge has acquired an unsettling superficiality because it has become an economic product. Technology is used and abused, forced upon the consumer in all sorts of ways and Hollywood's productions are the obvious example. 2005 was the year of the documentary, and I suspect this has to do with a yearning for the human, for the real, for the immediate, for the unmediated. A. O. Scott eloquently traces that line when he praises Luc Jacquet's "March of the Penguins" as the documentary that hits it all; epic journey, humor, tenderness and suspense, as well as "an occasion for culture-war skirmishing. In short it provided everything you'd want from a night at the movies, without stars or special effects. It's almost too good to be true." With that I greet 2006.

Posted by sol gaitan at 11:17 PM | Comments (0)
tags: Negroponte , Nicholas , Publishing, Broadcast, and the Press , documentary , folksonomy , media , podcasting

curbside at the WTO   12.14.2005, 5:54 PM

A little while ago I came across this website maintained by a group of journalism students, business writers and bloggers in Hong Kong providing "frontline coverage" of the current WTO meetings. The site provides a mix of on-the-ground reporting, photography, event schedules, and useful digests of global press coverage of the week-long event and surrounding protests. It feels sort of halfway between a citizen journalism site and a professional news outlet. It's amazing how this sort of thing can be created practically overnight.

They have a number of good photo galleries. Here are the Korean farmers jumping into Hong Kong Harbor:

Posted by ben vershbow at 05:54 PM | Comments (0)
tags: Hong_Kong , Publishing, Broadcast, and the Press , WTO , citizen_journalism , globalization , journalism , media , protests

pulitzers will accept online journalism   12.07.2005, 4:45 PM

Online news is now fair game for all fourteen journalism categories of the Pulitzer Prize (previously only the Public Service category accepted online entries). However, online portions of prize submissions must be text-based, and the only web-exclusive content accepted will be in the breaking news reporting and breaking news photography categories. But this presumably opens the door to some Katrina-related Pulitzers this April. I would put my bets on nola.com, the New Orleans Times-Picayune site that kept reports flying online throughout the hurricane.

Of course, the significance of this is mainly symbolic. When the super-prestigious Pulitzer (that's him to the right) starts to re-align its operations, you know there are bigger plate tectonics at work. This would seem to herald an eventual embrace of blogs, most obviously in the areas of commentary, beat reporting, community service, and explanatory reporting (though investigative reporting may not be far off). The committee would do well to consider adding a "news analysis" category for all the fantastic websites, many of them blogs, that help readers make sense of the news and act as a collective watchdog for the press.

Also, while the Pulitzer changes evince a clear preference for the written word, it seems inevitable that inter-media journalism will continue to gain in both quality and legitimacy. We'll probably look back on all the Katrina coverage as the watershed moment. Newspapers (some of them anyway) will figure out that to stay relevant, and distinctive enough not to be pulled apart by aggregators like Google or Yahoo news search, they will have to weave a richer tapestry of traditional reporting, commentary, features, and rich multimedia: a unique window to the world.

Nola.com didn't just provide good, constant coverage, it saved lives. It was an indispensible, unique portal that could not be matched by any aggregator (though harnessing the power of aggregation is part of what made it successful). The crisis of the hurricane put in relief what could be a more everyday strategy for newspapers. The NY Times currently is experimenting with this, developing a range of multimedia features and cordoning off premium content behind its Select pay wall. While I don't think they've yet figured out the right combination of premium content to attract large numbers of paying web subscribers, their efforts shouldn't necessarily be dismissed.

Discussions on the future of the news industry usually center around business models and the problem of solvency with a web-based model. These questions are by no means trivial, but what they tend to leave out is how the evolving forms of journalism might affect what readers consider valuable. And value is, after all, what you can charge for. It's fatalistic to assume that the web's entropic power will just continue to wear down news institutions until they vanish. The tendency on the web toward fragmentation is indeed strong, but I wouldn't underestimate the attraction of a quality product.

A couple of years ago, file sharing seemed to spell doom for the music industry, but today online music retailers are outselling most physical stores. Perhaps there is a way for news as well, but the news will have to change. Dan Gillmor is someone who has understood this for quite some time, and I quote from a rather prescient opinion piece he wrote back in 1997 when the Pulitzers were just beginning to wonder what to do about all this new media (this came up today on the Poynter Online-News list):

When we take journalism into the digital realm, media distinctions lose their meaning. My newspaper is creating multimedia journalism, including video reports, for our Web site. We strongly believe that the online component of our work augments what we sometimes call the "dead-tree" edition, the newspaper itself. Meanwhile, CNN is running text articles on its Web site, adding context to video reports.

So you have to ask a simple question or two: Online, what's a newspaper? What's a broadcaster?

Suppose CNN posts a particularly fine video report on its Web site, augmented by old-fashioned text and graphics. If the Pulitzer Prizes are o pen to online content, the CNN report should be just as valid an entry as, say, a newspaper series posted online and augmented with video.

And what about the occasionally exceptional journalism we're seeing from Web sites (or on CD-ROMs) produced by magazines, newsletters, online-only companies or even self-appointed gadflies? Corporate propaganda obviously will fail the Pulitzer test, but is a Microsoft-sponsored expose of venality by a competitor automatically invalid when it's posted on the Microsoft Network news site or MSNBC? Drawing these lines will take serious wisdom, unless the Pulitzer people decide simply to ignore trends and keep the prizes the way they are, in which case the awards will become quaint - or worse, irrelevant.

I'm also intrigued by another change made by the Pulitzer committee (from the A.P.):

In a separate change, the upcoming Pulitzer guidelines for the feature writing category will give ''prime consideration to quality of writing, originality and concision.'' The previous guidelines gave ''prime consideration to high literary quality and originality.''

Drop the "literary" and add "concision." A move to brevity and a more colloquial character are already greatly in evidence in the blogosphere and it's beginning to feed back into the establishment press. Employing once again the trusty old Pulitzer as barometer, this suggests that that most basic of journalistic forms -- "the story" -- is changing.

Posted by ben vershbow at 04:45 PM | Comments (0)
tags: Publishing, Broadcast, and the Press , aggregation , journalism , katrina , media , multimedia , news , newspaper , pulitzer

are we real or are we memorex   12.04.2005, 4:01 PM

i saw four live performances and a dozen gallery shows over the past few days; one theme kept coming up— what is the relationship of simulated reality to reality. here are some highlights and weekend musings.

thursday night: "Supervision," a play by the Builders Association and DBox about the infosphere which seems to know more about us than we do -- among other things "it" never forgets and rarely plays mash-up with our memories the way human brains are wont to do. the play didn't shed much light on what we could or should do about the encroaching infosphere but there was one amazing moment when video started shooting from left to right across the blank wall behind the actors. within moments a complete set was "constructed" out of video projections — so seamlessy joined at the edges and so perfectly shot for the purpse that you quickly forgot you were looking at video.

friday night: Nu Voices six guys making amazing house music, including digitized-sounding vocals, entirely with their voices. one of the group, Masai Electro, eerily imitated the sounds laurie anderson makes with her vocoder or that DJs make when they process vocals to sound robotic. the crowd loved it which made me wonder why we are so excited about hearing a human pretend to be a machine? i asked masai electro why he thinks the audience likes what he does so much. he had never been asked the question before and evidently hadn't thought about it, but then spontaneously answered "because that's where we're going" meaning that humans are becoming machines or at least are becoming "at one" with them.

saturday afternoon: Clifford Ross' very large landscapes (13' x 6') made with a super high resolution surveillance camera. a modern attempt at hudson river school lush landscapes. because of the their size and detail, you feel as if you are looking out a window at reality; makes you long for the "natural world" most of us rarely encounter.

left with a bunch of questions

does it make a difference if our experience is "real" or "simulated." does that way of looking at things even make sense anymore. when we manage to add the smell of fresh air, the sound of the wind, the rustle of the grass, the bird in flight and the ability to walk around in life-size 3-D spaces to the clifford ross photos, what will be the meaningful difference between walking in the countryside and opening the latest "you are there" coffee table book of the future. in a world with limited resources i can see the value of subsituting vicarious travel for the real thing (after all if all 7 billion of us traipsed out to the galapagos during our lifetimes, the "original" would be overrun and despoiled, turning it into its opposite). but what does it mean if almost all of our experience is technologically simulated and/or mediated?

Pedro Meyer in his comment about digitally altered photos says that all images are subjective which makes altered/not-altered a moot distinction. up until now the boundary between mediated objects and "reality" was pretty obvious, but i wonder if that changes when the scale is life-like and 3D. the Ross photos and the DBox video projections foreshadow life-size media which involves all the senses. the book of the future may not be something we hold in our hands, it might be something a 3-dimensional space we can inhabit. does it make any difference if i'm interacting only with simulacra?

Posted by bob stein at 04:01 PM | Comments (8)
tags: Mediated Existence , beatbox , media , photo , photography , reality , simulacra , simulation , theatre , virtual_reality

flushing the net down the tubes   11.29.2005, 8:11 AM

Grand theories about upheavals on the internet horizon are in ready supply. Singularities are near. Explosions can be expected in the next six to eight months. Or the whole thing might just get "flushed" down the tubes. This last scenario is described at length in a recent essay in Linux Journal by Doc Searls, which predicts the imminent hijacking of the net by phone and cable companies who will turn it into a top-down, one-way broadcast medium. In other words, the net's utopian moment, the "read/write" web, may be about to end. Reading Searls' piece, I couldn't help thinking about the story of radio and a wonderful essay Brecht wrote on the subject in 1932:

Here is a positive suggestion: change this apparatus over from distribution to communication. The radio would be the finest possible communication apparatus in public life, a vast network of pipes. That is to say, it would be if it knew how to receive as well as to transmit, how to let the listener speak as well as hear, how to bring him into a relationship instead of isolating him. On this principle the radio should step out of the supply business and organize its listeners as suppliers....turning the audience not only into pupils but into teachers.

Unless you're the military, law enforcement, or a short-wave hobbyist, two-way radio never happened. On the mainstream commercial front, radio has always been about broadcast: a one-way funnel. The big FM tower to the many receivers, "prettifying public life," as Brecht puts it. Radio as an agitation? As an invitation to a debate, rousing families from the dinner table into a critical encounter with their world? Well, that would have been neat.

Now there's the internet, a two-way, every-which-way medium -- a stage of stages -- that would have positively staggered a provocateur like Brecht. But although the net may be a virtual place, it's built on some pretty actual stuff. Copper wire, fiber optic cable, trunks, routers, packets -- "the vast network of pipes." The pipes are owned by the phone and cable companies -- the broadband providers -- and these guys expect a big return (far bigger than they're getting now) on the billions they've invested in laying down the plumbing. Searls:

The choke points are in the pipes, the permission is coming from the lawmakers and regulators, and the choking will be done....The carriers are going to lobby for the laws and regulations they need, and they're going to do the deals they need to do. The new system will be theirs, not ours....The new carrier-based Net will work in the same asymmetrical few-to-many, top-down pyramidal way made familiar by TV, radio, newspapers, books, magazines and other Industrial Age media now being sucked into Information Age pipes. Movement still will go from producers to consumers, just like it always did.

If Brecht were around today I'm sure he would have already written (or blogged) to this effect, no doubt reciting the sad fate of radio as a cautionary tale. Watch the pipes, he would say. If companies talk about "broad" as in "broadband," make sure they're talking about both ends of the pipe. The way broadband works today, the pipe running into your house dwarfs the one running out. That means more download and less upload, and it's paving the way for a content delivery platform every bit as powerful as cable on an infinitely broader band. Data storage, domain hosting -- anything you put up there -- will be increasingly costly, though there will likely remain plenty of chat space and web mail provided for free, anything that allows consumers to fire their enthusiasm for commodities through the synapse chain.

If the net goes the way of radio, that will be the difference (allow me to indulge in a little dystopia). Imagine a classic Philco cathedral radio but with a few little funnel-ended hoses extending from the side that connect you to other listeners. "Tune into this frequency!" "You gotta hear this!" You whisper recommendations through the tube. It's sending a link. Viral marketing. Yes, the net will remain two-way to the extent that it helps fuel the market. Web browsers, like the old Philco, would essentially be receivers, enabling participation only to the extent that it encouraged others to receive.

You might even get your blog hosted for free if you promote products -- a sports shoe with gelatinous heels or a music video that allows you to undress the dancing girls with your mouse. Throw in some political rants in between to blow off some steam, no problem. That's entrepreneurial consumerism. Make a living out of your appetites and your ability to make them infectious. Hip recommenders can build a cosy little livelihood out of their endorsements. But any non-consumer activity will be more like amateur short-wave radio: a mildly eccentric (and expensive) hobby (and they'll even make a saccharine movie about a guy communing with his dead firefighter dad through a ghost blog).

Searls sees it as above all a war of language and metaphor. The phone and cable companies will dominate as long as the internet is understood fundamentally as a network of pipes, a kind of information transport system. This places the carriers at the top of the hierarchy -- the highway authority setting the rules of the road and collecting the tolls. So far the carriers have managed, through various regulatory wrangling and court rulings, to ensure that the "transport metaphor" has prevailed.

But obviously the net is much more than the sum of its pipes. It's a public square. It's a community center. It's a market. And it's the biggest publishing system the world has ever known. Searls wants to promote "place metaphors" like these. Sure, unless you're a lobbyist for Verizon or SBC, you probably already think of it this way. But in the end it's the lobbyists that will make all the difference. Unless, that is, an enlightened citizens' lobby begins making some noise. So a broad, broad as in broadband, public conversation should be in order. Far broader than what goes on in the usual progressive online feedback loops -- the Linux and open source communities, the creative commies, and the techno-hip blogosphere, that I'm sure are already in agreement about this.

Google also seems to have an eye on the pipes, reportedly having bought thousands of miles of "dark fiber" -- pipe that has been laid but is not yet in use. Some predict a nationwide "Googlenet." But this can of worms is best saved for another post.

Posted by ben vershbow at 08:11 AM | Comments (2)
tags: Network_Freedom , Publishing, Broadcast, and the Press , brecht , broadband , broadcast , cable , fiber , google , internet , linux , media , net , radio , short_wave , telecom , telephone , tubes , utopia , verizon , web

alternative journalisms   11.23.2005, 2:26 PM

Craigslist founder Craig Newmark has announced he will launch a major citizen journalism site within the next three months. As quoted in The Guardian:

The American public has lost a lot of trust in conventional newspaper mechanisms. Mechanisms are now being developed online to correct that.

...It was King Henry II who said: 'Won't someone rid me of that turbulent priest?' We have seen a modern manifestation of that in the US with the instances of plausible deniability, the latest example of that has been the Valerie Plame case and that has caused damage.

Can a Craiglist approach work for Washington politics? It's hard to imagine a million worker ants distributed across the nation cracking Plamegate. You're more likely to get results from good old investigative reporting, but combined with a canny postmodern sense of spin (and we're not just talking about the Bush administration's spin, but Judith Miller's spin, The New York Times' spin) and the ability to make that part of the story. Combine the best of professional journalism with the best of the independent blogosphere. Can this be done?

Josh Marshall of Talking Points Memo fame wants to bridge the gap with a new breed of "reporter-blogger," currently looking to fill two such positions -- paid positions -- for a new muckraking blog that will provide "wall-to-wall coverage of corruption, self-dealing, and betrayals of the public trust in today's Washington" (NY Sun has details). While other high-profile bloggers sign deals with big media, Marshall clings fast to his independence, but recognizes the limitations of not being on the ground, in the muck, as it were. He's banking that his new cyborgs might be able to shake up the stagnant Washington press corps from the inside, or at least offer readers a less compromised view (though perhaps down the road fledgeling media empires like Marshall's will become the new media establishment).

That's not to say that the Craigslist approach will not be interesting, and possibly important. It was dazzling to witness the grassroots information network that sprung up on the web during Hurricane Katrina, including on the Craigslist New Orleans site, which became a clearinghouse for news on missing persons and a housing directory for the displaced. For sprawling catastrophes like this it's impossible to have enough people on the ground. Unless the people on the ground start reporting themselves.

Citizen journalists also pick up on small stories that slip through the cracks. You could say the guy who taped the Rodney King beating was a "citizen journalist." You could say this video (taken surreptitiously on a cellphone) of a teacher in a New Jersey high school flipping out at a student for refusing to stand for the national anthem is "citizen journalism." Some clips speak for themselves, but more often you need context, you need to know how to frame it. The interesting thing is how grassroots journalism can work with a different model for contextualization. The New Jersey video made the rounds on the web and soon became a story in the press. One person slaps up some footage and everyone else comments, re-blogs and links out. The story is told collectively.

Posted by ben vershbow at 02:26 PM | Comments (4)
tags: CitJ , Publishing, Broadcast, and the Press , Social Software , citizen_journalism , craig_newmark , craigslist , grassroots , journalism , katrina , media , news , politics , press , talkingpointsmemo , washington

beautiful? if so, why?   11.20.2005, 5:35 PM

Sony Europe is promoting a new screen technology with a TV commercial featuring 250,000 brightly colored balls rolling down a San Francisco street. despite the maudlin soundtrack the sight of a quarter of a million balls floating chaotically down the hill is spectacular. this is partially because the piece is silly, fantastical, and brilliantly executed. i wonder though, if part of the reason people like the ad so much is because real balls are rolling on a real street — because the absence of any computer graphics is so unusual in our increasingly everything-so-neat-and-clean digital mediascape? this is not meant to be a rhetorical question. what do you think?

Posted by bob stein at 05:35 PM | Comments (7)
tags: Mediated Existence , ad , advertising , balls , media , san_francisco , sony , sony_europe

gawker blogs to appear on yahoo   11.16.2005, 7:11 AM

Gawker Media, the Conde Nast of the blogosphere, has just sold distribution rights for five of its blogs to Yahoo. Selected posts from Gawker, Wonkette, Gizmodo, Lifehacker and Defamer will soon appear daily on the Yahoo news portal.

Not so worrisome (or surprising) to see blogs like these going corporate. From the beginning, they've sort of pitched themselves as commodities -- the tabloids and gadget rags of the blogosphere. But when blogging comes fully front and center as the next hip business strategy -- that authentic unfiltered element with which to adorn your comapany's image (hang some humans on the doorpost) -- then we may see a massive rush to rake up the brighter talents with lucrative little hosting deals. I'd hate to see bloggers foresake their independence like this. Then again, it might clear the way for a whole new generation of authentic voices.

Posted by ben vershbow at 07:11 AM | Comments (1)
tags: Blogosphere , blogging , blogs , gawker , media , news , search , syndication , yahoo , yahoo!

malcom gladwell on the social life of paper.   11.14.2005, 4:22 PM

I’m going to devote a series of posts to some (mostly online) texts that have been useful in my teaching and thinking about new media, textuality, and print technologies over the past few years. To start, I’d like to resurrect a three-year old New Yorker piece by Malcom Gladwell called “The Social Life Of Paper,” which distills the arguments of Abigail Sellen and Richard Harper’s book The Myth of the Paperless Office.

Gladwell (like Sellen and Harper) is interested in whether or not giving up paper entirely is practical or even possible. He suggests that for some tasks, paper remains the “killer app;” attempts to digitize such tasks might actually make them more difficult to do. His most compelling example, in the opening paragraph of his article, is the work of the air traffic controller:

On a busy day, a typical air-traffic controller might be in charge of as many as twenty-five airplanes at a time--some ascending, some descending, each at a different altitude and travelling at a different speed. He peers at a large, monochromatic radar console, tracking the movement of tiny tagged blips moving slowly across the screen. He talks to the sector where a plane is headed, and talks to the pilots passing through his sector, and talks to the other controllers about any new traffic on the horizon. And, as a controller juggles all those planes overhead, he scribbles notes on little pieces of paper, moving them around on his desk as he does. Air-traffic control depends on computers and radar. It also depends, heavily, on paper and ink.

Gladwell goes on to make the point that this while kind of reliance on bit of paper drives productivity-managers crazy, anyone who tries to change the way that an air traffic controller works is overlooking a simple fact: the strips of paper supply a stream of “cues” that mesh beautifully with the cognitive labor of the air traffic controller; they are, Gladwell says, “physical manifestations of what goes on inside his head.”

Expanding on this example, Gladwell goes on to argue that while computers are excellent at storing information — much better than the file cabinet with its paper documents — they are often less useful for collaborative work and for the sort of intellectual tasks that are facilitated by piles of paper one can shuffle, rearrange, edit and discard on one’s desk.

“The problem that paper solves,” he writes, “is the problem that most concerns us today, which is how to support knowledge work. In fretting over paper, we have been tripped up by a historical accident of innovation, confused by the assumption that the most important invention is always the most recent. Had the computer come first -- and paper second -- no one would raise an eyebrow at the flight strips cluttering our air-traffic-control centers.”

This is a pretty strong statement, and I find the logic both seductive and a bit flawed. I’m seduced because I too have piles of paper all over the place, and I’d like to think that these are not simply bits of dead tree, but instead artifacts intrinsic to knowledge work. But I’m skeptical because I think it’s safe to assume that standard cognitive processes can change from generation to generation; for example, those who are growing up using ichat and texting are less likely to think of bits and scraps of paper as representative of cognitive immediacy in the same way I do.

When I've taught this essay, I usually also assign Sven Birkets’ Into the Electronic Millenium, a text which argues (in a somewhat Lamarckian way) that electronic mediation is pretty much rewiring our brains in a way that makes it impossible for computer-mediated youth to process information in the same way as their elders. Most of them will agree with both Gladwell and Birkets — yes, there will always be a need for paper because our brain will always process certain things certain ways, but also yes, digital technologies are changing the way that our brain works. My job is to get them to see that those two concepts contradict one another. Birkets espouses a peculiar and curmudgeonly sort of technological determinism. Gladwell, on the other hand, with his focus on an embodied way of knowing, flips the equation and wonders how best to get technology to work FOR us, instead of thinking how technology might work ON us.

I can see why my students are drawn to both arguments: even though I don't essentially agree with either essay, I often catch myself falling into Birket's trap of extreme technological determinism — or alternately, thinking, like Gladwell, that because a certain way of doing things seems optimal it must be the "natural" way to do it.

Posted by lisa lynch at 04:22 PM | Comments (6)
tags: Mediated Existence , determinism , evolution , media , paper , philosophy , technology

the times they are a-changin'   11.14.2005, 4:18 PM

Knight Ridder Inc., the second largest newspaper conglomerate in the U.S., is under intense pressure from its more powerful investors to start selling off papers. The New York Times reports that the company is now contemplating "strategic alternatives." Consider the following in terms of what Bob is saying one post down about time. With the rise of the 24-hour news cycle and the internet, news is adopting a different time signature.

It is unclear who may want to buy Knight Ridder. Newspaper companies, though still immensely profitable, have a murky future that is clouded by a shrinking readership and weak advertising revenue, both of which are being leeched away by the Internet.

...In the six moths that ended in September, newspaper circulation nationally fell 2.6 percent daily and 3.1 percent on Sundays, the biggest decline in any comparable period since 1991, according to the Audit Bureau of Circulations. All in all, 45.2 million people subscribed to 1,457 reporting papers, down from a peak of 63.3 million people and 1,688 newspapers in 1984.

By comparison, 47 million people visited newspaper Web sites, about a third of United States Internet users, according to the circulation bureau.

The time it takes to read the newspaper in print -- a massive quilt, chopped up and parceled (I believe Gary Frost said something about this) -- you might say it leads to a different sort of understanding of the world around you. It seems to me that the newspapers that will last longest in print are the Sunday editions, aimed at a leisurely audience, taking stock of the week that has just ended and preparing for the one about to commence. On Sundays, the world spreads out before you in print, and perhaps you make a point of taking some time away from the computer (at least, this might be the case for hybrid monkeys like me who are more or less at home with both print and digital). The briskness of discourse on the web and in popular culture does not afford the time to engage with big ideas. Bob talks, not without irony, about "tithing to the church of big ideas." Set aside the time to engage with world-changing ideas, willfully turn away from the screen.

The persistence of the Sunday print edition, if it comes to pass, might in some way reflect this kind of tithing, this intentional slowing down.

Posted by ben vershbow at 04:18 PM | Comments (1)
tags: Mediated Existence , Online , Publishing, Broadcast, and the Press , Transliteracies , internet , journalism , knight_ridder , media , news , newspaper , sunday , web

more bad news for print news   11.09.2005, 3:32 PM

These figures (scroll down) aren't pretty, but keep in mind that they convey more than a simple flight of readership. Part of it is a conscious decision by newspapers to cut out costly promotional efforts and to re-focus on core circulation. But the overall trend, and the fact that the core is likely to shrink as it grows older, can't be denied.

Things could change very suddenly if investors in the big newspaper conglomerates start demanding the sale or outright dismantling of print operations. The Los Angeles Times reported yesterday of pressure building at Knight Ridder Inc., where the more powerful shareholders, dismayed with the continued tumbling of stock values, seem to be urging things toward a reckoning, some even welcoming the idea of a hostile takeover. The Times: "...if shareholders force the sale or the dismantling of Knight Ridder, few in the newspaper industry expect the revolt to stop there."

The pre-Baby Boom generation typically subscribed to several newspapers, something that changed when the Boomers came of age. While competition with the web may be a major factor in recent upheavals, there are generational tectonics at work as well, habits formed long ago that are only now expressing themselves in the marketplace. Even if newspapers start to phase out print and focus entirely on the web, the erosion is likely to continue. It's not just the distribution model that changes, but the whole conceptual framework.

Ray, who just joined us here at the institute, was talking today about how online social networks are totally changing the way the younger generation gets its news. It's much more about the network of friends, the circulation of news from diverse sources through the collective filter, and not about your trusted daily paper. So the whole idea of a centralized news organization is shifting and perhaps dissolving.

From the L.A. Times:

Average weekday circulation of the nation's 20 biggest newspapers for the six-month period ended Sept. 30 and percentage change from a year earlier:

1. USA Today, 2,296,335, down 0.59%

2. Wall Street Journal, 2,083,660, down 1.1%

3. New York Times, 1,126,190, up 0.46%

4. Los Angeles Times, 843,432, down 3.79%

5. New York Daily News, 688,584, down 3.7%

6. Washington Post, 678,779, down 4.09%

7. New York Post, 662,681, down 1.74%

8. Chicago Tribune, 586,122, down 2.47%

9. Houston Chronicle, 521,419, down 6.01%*

10. Boston Globe, 414,225, down 8.25%

11. Arizona Republic, 411,043, down 0.54%*

12. Star-Ledger of Newark, N.J., 400,092, up 0.01%

13. San Francisco Chronicle, 391,681, down 16.4%*

14. Star Tribune of Minneapolis-St. Paul, 374,528, down 0.26%

15. Atlanta Journal-Constitution, 362,426, down 8.73%

16. Philadelphia Inquirer, 357,679, down 3.16%

17. Detroit Free Press, 341,248, down 2.18%

18. Plain Dealer, Cleveland, 339,055, down 4.46%

19. Oregonian, Portland, 333,515, down 1.24%

20. San Diego Union-Tribune, 314,279, down 6.24%

Posted by ben vershbow at 03:32 PM | Comments (1)
tags: Publishing, Broadcast, and the Press , Transliteracies , journalism , knight_ridder , media , news , newspaper , print

everything bad is . . .   10.26.2005, 4:18 PM

Hi Steven,

first up: I appreciate you coming over to defend yourself. The blogosphere is far too often self-reinforcing - the left (for example) reads left-leaning blogs and the right reads right-leaning blogs & there's not a lot of dialogue between people on opposite sides, to everyone's loss.

Here's something that's been nagging me for the past week or so: your book seems to effectively be conservative. Bear with me for a bit: I'm not saying that it's Bill O'Reilly-style invective. I do think, however, that it effectively reinforces the status quo. Would I be wrong in taking away as the message of the book the chain of logic that:

1. Our pop culture's making us smarter.
2. Therefore it must be good.
3. Therefore we don't need to change what we're doing.

I'll wager that you wouldn't sign off on (3) & would argue that your book isn't in the business of prescribing further action. I'm not accusing you of having malicious intentions, and we can't entirely blame a writer for the distortions we bring to their work as readers (hey Nietzsche!). But I think (3)'s implicitly in the book: this is certainly the message most reviewers, at least, seem to be taking away from the book. Certainly you offer caveats (if the kids are watching television, there's good television & there's bad television), but I think this is ultimately a Panglossian view of the world: everything is getting better and better, we just need to stand back and let pop culture work upon us. Granted, the title may be a joke, but can you really expect us, the attention-deficit-addled masses, to realize that?

Even to get to (2) in that chain of reasoning, you need to buy into (1), which I don't know that I do. Even before you can prove that rising intelligence is linked to the increased complexity of popular culture – which I'll agree is interesting & does invite scrunity – you need to make the argument that intelligence is something that can be measured in a meaningful way. Entirely coincidentally – really – I happened to re-read Stephen Jay Gould's Mismeasure of Man before starting in on EBIGFY; not, as I'm sure you know, a happy combination, but I think a relevant one. Not to reopen the internecine warfare of the Harvard evolutionary biology department in the 1990s, but I think the argument that Gould wrings out of the morass of intelligence/IQ studies still holds: if you know who your "smart" kids are, you can define "smartness" in their favor. There remain severe misgivings about the concept of g, which you skirt: I'm not an expert on the current state of thought on IQ, so I'll skirt this too. But I do think it's worth noting that while you're not coming to Murray & Herrnstein's racist conclusions, you're still making use of the same data & methodology they used for The Bell Curve, the same data & methodology that Gould persuasively argued was fundamentally flawed. Science, the history of intelligence testing sadly proves, doesn't exist outside of a political and economic context.

But even if smartness can be measured as an abstract quantity and if we are "smarter" than those of times past, to what end? This is the phrase I found myself writing over and over in the margin of your book. Is there a concrete result in this world of our being better at standardized tests? Sure, it's interesting that we seem to be smarter, but what does that mean for us? Maybe the weakest part of your book argues that we're now able to do a better job of picking political leaders. Are you living in the same country I'm living in? and watching the same elections? If we get any smarter, we'll all be done for.

I'll grant that you didn't have political intentions in writing this, but the ramifications are there, and need to be explored if we're going to seriously engage with your ideas. Technology – the application of science to the world in which we live – can't exist in an economic and political vacuum.

Posted by dan visel at 04:18 PM | Comments (9)
tags: culture , everything_bad_is_good_for_you? , gould , intelligence , iq , media , sociobiology , steven_johnson , technology

the huffington post... we're intrigued   10.21.2005, 8:18 AM

A week after the May 9 debut of The Huffington Post, Nikki Finke delivered this bitter assessment in LA Weekly:

Judging from Monday’s horrific debut of the humongously pre-hyped celebrity blog the Huffington Post, the Madonna of the mediapolitic world has undergone one reinvention too many. She has now made an online ass of herself. What her bizarre guru-cult association, 180-degree right-to-left conversion, and failed run in the California gubernatorial-recall race couldn’t accomplish, her blog has now done: She is finally played out publicly. This website venture is the sort of failure that is simply unsurvivable. Her blog is such a bomb that it’s the movie equivalent of Gigli, Ishtar and Heaven’s Gate rolled into one. In magazine terms, it’s the disastrous clone of Tina Brown’s Talk, JFK Jr.’s George or Maer Roshan’s Radar.

Finke was not alone in her prediction of disaster. And at the time, it wasn't so unreasonable to suspect Arianna Huffington's experiment with celebrity group blogging might crash and burn spectacularly (The Guardian ran a very funny satire in anticipation). But by now it's clear that not only are reports of Huffington's death greatly exaggerated, but that something of value has been created.

The site is getting a load of traffic (a million and a half a month as of September, probably significantly more by now). As expected, it is snarky, eclectic and irreverant. What's surprising is that Huffington's rolodex of 250-plus occasional bloggers has managed to fill it with serious, thoughtful discussion. Many of the biggest names have failed to make much use of their soapbox (Norman Mailer has posted twice, Ellen Degeneres only once (about horses), both at the beginning of the run). What has built the site into a popular daily destination is not the promise of star-spun wisdom, but the insight provided by the more dedicated bloggers, many of them lesser-known figures with a great deal of expertise in a given area. What you end up with is a nice mix of opinion, satire, gossip, and serious analysis of current events -- a kind of heightened public square.

In yesterday's Washington Post, against the steady hum of online intrigue about Judy "run-amok" Miller, and the sound of millions of nails being gnawed in anticipation of what hopes to be a major league indictment of Rove and/or Libby, the afore-mentioned Tina Brown observed:

For Arianna Huffington, the Miller story has been to her newly birthed blog, the Huffington Post, a miniature version of what O.J. Simpson was to cable news.

And she's right. Over this past week, something seems to have crystallized. Amidst all the head-scratching following the Times' marathon coverage of the Judith Miller imbroglio this Sunday, the bloggers, not the press, have done the better job of cutting through the fog, or at the very least, of keeping our sights on the big picture. The Huffington Post has been particularly on the ball, with Arianna leading the way.

The big picture, of course, is that we are at war. And that The New York Times -- the supposed "paper of record" -- allowed itself to become part of the propaganda campaign that put us there. It's the story of an entire news organization that, through one misguided reporter, got too "embedded" with its sources and totally lost its perspective. This is not the self-contained sort of scandal we saw with Jayson Blair. Nor is it really about some high-minded cause: the right to maintain confidentiality of sources. This is about the lies that led to war.

Unfortunately, we probably know less now about what happened with Judith Miller than we did before she delivered her mystifying testimonial on Sunday (aspens! clusters!). But the rigorous work-through the story has received around the blogosphere, and from a handful of columnists in the mainstream press, has defined the larger moral frame, keeping the democratic stakes appropriately high (hopes that the Democrats themselves might do the same will almost surely be disappointed).

In an interview with Wired last month, Huffington described what she sees as the problem with cable and online news coverage (increasingly one in the same):

The problem isn't that the stories I care about aren't being covered, it's that they aren't being covered in the obsessive way that breaks through the din of our 500-channel universe. Because those 500 channels don't mean we get 500 times the examination and investigation of worthy news stories. It often means we get the same narrow, conventional-wisdom wrap-ups repeated 500 times. Paradoxically, in these days of instant communication and 24-hour news channels, it's actually easier to miss information we might otherwise pay attention to. That's why we need stories to be covered and re-covered and re-re-covered and covered again -- until they filter up enough to become part of the cultural bloodstream.

The Judygate re-re-coverage on H. Post and throughout the blogosphere emphasizes the redefinition of the news as a two-way medium. The readers are now a major part of the process. What Huffington has done is to aggregate some of the more interesting readers.

Posted by ben vershbow at 08:18 AM | Comments (0)
tags: NYTimes , blogging , blogs , huffington , huffingtonpost , iraq , journalism , judith_miller , media , plamegate

speaking of aggregation, speaking of war...   10.20.2005, 8:58 PM

Speaking of aggregating blog commentary on the Judy Miller intrigue, Open Source's Monday podcast, "Getting Judith Miller" (listen), aggregates the bloggers themselves in a rigorous discussion of the "inexplicable gaps" in the Times' self-investigation, placing it in the larger context of the war, the state of journalism, and American democracy in crisis. Guests include Jay Rosen (Press Think), Ariana Huffington (Huffington Post), Josh Marshall (Talking Points Memo, TPM Cafe), and Kevin Drum (Political Animal). A great example of the kind of triangulation Bob was talking about earlier, in this case, a radio show, drawing its material and voices from the web like a hurricane pulls its fury from a warm ocean.

(Drawing from the web to discuss the world is what Open Source is all about. Highly recommended.)

Posted by ben vershbow at 08:58 PM | Comments (0)
tags: blogging , blogs , democracy , huffington , journalism , judith_miller , media , podcast , radio

it seems to be happening before our eyes, part 2   10.19.2005, 9:19 PM

in a guest post entitled "The Era of Omniscience is Over" on jay rosen's superb PressThink blog, Andrew Heyward, the President of CBS News acknowledges three crucial truths that need to be acknowledged:

Truth is a Plural
Yes to Point of View Journalism
News Has An Authenticity Problem

Of course these are things that practitioners and followers of the blogosphere have understood for awhile. But it's earthshaking to see a representative of such an august mainstream media organization admit them publicly. Wonder if he'll be able to shepherd any real change at CBS news?

Posted by bob stein at 09:19 PM | Comments (0)
tags: CBS , Publishing, Broadcast, and the Press , blogging , heyward , journalism , media

everything bad is good for you: part 2   10.19.2005, 8:44 AM

it's taken me awhile to write the second installment of this critique (part 1 here) because i've been wrestling with how to expand the terms of the discussion. i've been reading the various reviews and discussions and even listened to the recent MIT symposium on the book. all of the critical energy is spent asking whether the conclusion — that modern electronic media is raising IQ and certain problem-solving skills— is based on thorough or good science; if it's "true" or not.

whether people end up believing that Johnson is 10, 20, 30, 70 or 90 percent right about the effect of media on IQ and problem-solving skills, they mostly accept his boundaries of the subject. i seem to be coming at it from another direction. the problem for me isn't Johnson's conclusion which i think is "sorta correct' but rather that by defining the question of media's impact so narrowly the overall effect of his argument is to turn people away from much deeper questions about the role of media in shaping how we see the world and how we behave in it.

i believe that the shallowness of the debate around Johnson's book is an excellent example of ways in which the effect of popular media has indeed been "bad" for us, not good. whether our IQs have gone up or not, the failure of most television and games to deal with moral complexity and the increasing tendency of TV news to entertain rather than inform have had made other more significant changes in our behavior — most significantly we are increasingly unable or resistant to look deeply and all-sidedly into important questions.

more tomorrow.

Posted by bob stein at 08:44 AM | Comments (5)
tags: Games , culture , everything_bad_is_good_for_you? , intelligence , media , steven_johnson , technology

new york times links to blogs discussing miller case   10.19.2005, 7:31 AM

Take a look at this: the Times has put up a page with links to prominent posts around the blogosphere that analyze its reporting on the Judith Miller story.

Bob was thinking about this the other day:

"perhaps it would be a good thought experiment to try to come up with interesting ideas of how to organize references on the web to the judith miller situation. how would you present an overview of the references?"

Doing it themselves, I guess the Times figures it can soften the blow. Gutsier, though, would be to place the links directly alongside the article. The Washington Post does this with all its stories in a little Technorati-powered "Who's Blogging?" window.

Posted by ben vershbow at 07:31 AM | Comments (0)
tags: Blogosphere , Publishing, Broadcast, and the Press , blogging , blogs , journalism , judith_miller , media , ny_times

a future written in electronic ink?   10.18.2005, 8:47 AM

Discussions about the future of newspapers often allude to a moment in the Steven Spielberg film "Minority Report," set in the year 2054, in which a commuter on the train is reading something that looks like a paper copy of USA Today, but which seems to be automatically updating and rearranging its contents like a web page. This is a comforting vision for the newspaper business: reassigning the un-bottled genie of the internet to the familiar commodity of the broadsheet. But as with most science fiction, the fallacy lies in the projection of our contemporary selves into an imagined future, when in fact people and the way they read may have very much changed by the year 2054.

Being a newspaper is no fun these days. The demand for news is undiminished, but online readers (most of us now) feel entitled to a free supply. Print circulation numbers continue to plummet, while the cost of newsprint steadily rises -- it hovers right now at about $625 per metric ton (according to The Washington Post, a national U.S. paper can go through around 200,000 tons in a year).

Staffs are being cut, hiring freezes put into effect. Some newspapers (The Guardian in Britain and soon the Wall Street Journal) are changing the look and reducing the size of their print product to lure readers and cut costs. But given the rather grim forecast, some papers are beginning to ponder how other technologies might help them survive.

Last week, David Carr wrote in the Times about "an ipod for text" as a possible savior -- a popular, portable device that would reinforce the idea of the newspaper as something you have in your hand, that you take with you, thereby rationalizing a new kind of subscription delivery. This weekend, the Washington Post hinted at what that device might actually be: a flexible, paper-like screen using "e-ink" technology.

An e-ink display is essentially a laminated sheet containing a thin layer of fluid sandwiched between positive and negative electrodes. Tiny capsules of black and white pigment float in between and arrange themselves into images and text through variance in the charge (the black are negatively charged and the white positively charged). Since the display is not light-based (like the electronic screens we use today), it has an appearance closer to paper. It can be read in bright sunlight, and requires virtually no power to maintain an image.

Frank Ahrens, who wrote the Post piece, held a public online chat with Russ Wilcox, the chief exec of E Ink Corp. Wilcox predicts that large e-ink screens will be available within a year or two, opening the door for newspapers to develop an electronic product that combines web and broadsheet. Even offering the screens to subscribers for free, he calculates, would be more cost-efficient than the current paper delivery system.

A number of major newspaper conglomerates -- including The Hearst Corporation, Gannett Co. (publisher of USA Today), TOPPAN Printing Company of Japan, and France's Vivendi Universal Publishing -- are interested enough in the potential of e-ink that they have become investors.

But maybe it won't be the storied old broadsheet that people crave. A little over a month ago at a trade show in Berlin, Philips Polymer Vision presented a prototype of its new "Readius" -- a device about the size of a mobile phone with a roll-out e-ink screen. This, too, could be available soon. Like it or not, it might make more sense to watch what's developing with cell phones to get a hint of the future.

But even if electronic paper catches on -- and it seems likely that it, or something similar, will -- I wouldn't count on it to solve the problems of the print news industry. It's often tempting to think of new technologies that fundamentally change the way we operate as simply a matter of pouring old wine into new bottles. But electronic paper will be a technology for delivering the web, or even internet television -- not individual newspapers. So then how do we preserve (or transfer) all that is good about print media, about institutions like the Times and the Post, assuming that their prospects continue to worsen? The answer to that, at least for now, is written in invisible ink.

Posted by ben vershbow at 08:47 AM | Comments (2)
tags: Online , Publishing, Broadcast, and the Press , The Ideal Device? , book , books , computer , e-ink , ebook , eink , gadget , gadgets , interactive , internet , ipod , journalism , media , media_consumption , newspaper , paper , print , publishing , reading , readius , spielberg , technology , web

it seems to be happening before our eyes   10.17.2005, 6:50 PM

it looks like one hundred years from now history may record that 2005 was the year that big (news) media gave way to the individual voice. the intersection of the ny times/judy miller debacle with the increasing influence of the blogosphere has made us conscious of the major change taking place -- RIGHT NOW.

congressman john conyers wrote today that "I find I learn more reading Arianna, Murray Waas and Lawrence O’Donnell than the New York Times or Washington Post."

wow!

Posted by bob stein at 06:50 PM | Comments (1)
tags: 2005 , Blogosphere , NYTimes , Publishing, Broadcast, and the Press , blog , blogging , blogs , huffington , huffington_post , journalism , judith_miller , media , msm , new_york_times , news , newspaper , social_software

nicholas carr on "the amorality of web 2.0"   10.17.2005, 9:00 AM

Nicholas Carr, who writes about business and technology and formerly was an editor of the Harvard Business Review, has published an interesting though problematic piece on "the amorality of web 2.0". I was drawn to the piece because it seemed to be questioning the giddy optimism surrounding "web 2.0", specifically Kevin Kelly's rapturous late-summer retrospective on ten years of the world wide web, from Netscape IPO to now. While he does poke some much-needed holes in the carnival floats, Carr fails to adequately address the new media practices on their own terms and ends up bashing Wikipedia with some highly selective quotes.

Carr is skeptical that the collectivist paradigms of the web can lead to the creation of high-quality, authoritative work (encyclopedias, journalism etc.). Forced to choose, he'd take the professionals over the amateurs. But put this way it's a Hobson's choice. Flawed as it is, Wikipedia is in its infancy and is probably not going away. Whereas the future of Britannica is less sure. And it's not just amateurs that are participating in new forms of discourse (take as an example the new law faculty blog at U. Chicago). Anyway, here's Carr:

The Internet is changing the economics of creative work - or, to put it more broadly, the economics of culture - and it's doing it in a way that may well restrict rather than expand our choices. Wikipedia might be a pale shadow of the Britannica, but because it's created by amateurs rather than professionals, it's free. And free trumps quality all the time. So what happens to those poor saps who write encyclopedias for a living? They wither and die. The same thing happens when blogs and other free on-line content go up against old-fashioned newspapers and magazines. Of course the mainstream media sees the blogosphere as a competitor. It is a competitor. And, given the economics of the competition, it may well turn out to be a superior competitor. The layoffs we've recently seen at major newspapers may just be the beginning, and those layoffs should be cause not for self-satisfied snickering but for despair. Implicit in the ecstatic visions of Web 2.0 is the hegemony of the amateur. I for one can't imagine anything more frightening.

He then has a nice follow-up in which he republishes a letter from an administrator at Wikipedia, which responds to the above.

Encyclopedia Britannica is an amazing work. It's of consistent high quality, it's one of the great books in the English language and it's doomed. Brilliant but pricey has difficulty competing economically with free and apparently adequate....

...So if we want a good encyclopedia in ten years, it's going to have to be a good Wikipedia. So those who care about getting a good encyclopedia are going to have to work out how to make Wikipedia better, or there won't be anything.

Let's discuss.

Posted by ben vershbow at 09:00 AM | Comments (5)
tags: Libraries, Search and the Web , OS , Online , Publishing, Broadcast, and the Press , Social Software , Web2.0 , amateur , blog , blogging , blogs , book , books , britannica , collective , encyclopedia , encyclopedia_britannica , internet , journalism , mainstream_media , media , msm , open_content , open_source , publishing , web , web_2.0 , wiki , wikipedia

ok — it's judy time at if:book; but i promise only future-of-the-book related comments   10.16.2005, 9:23 PM

these thoughts came immediately after reading the NY Times' sad attempt to explain how the "newspaper of record" managed to lose its integrity.

1. looks to me as if the media (ny times) has become the news and the blogging community are functioning as the real journalists. can anyone reading this blog, who has been following the judith miller situation say they didn't go to the blogosphere today to get a decent handle on how to parse what the Times just did to "cover the Judith Miller" story.

2. i want a juan cole equivalent for the judy miller story; someone who specializes in the working of behind-the-scenes washington and who knows enough about law and history to put each day's events in perpective. at the very least i want someone to present me with the ten most useful accounts on the web so that i can triangulate the problem.

3. perhaps it would be a good thought experiment to try to come up with interesting ideas of how to organize references on the web to the judith miller situation. how would you present an overview of the references?

Posted by bob stein at 09:23 PM | Comments (3)
tags: Blogosphere , NYTimes , Publishing, Broadcast, and the Press , blog , blogging , blogs , bush , journalism , judith_miller , judithmiller , leak , media , new_york_times , newspaper , newyorktimes , plame , rove , valerie_plame

an ipod for text   10.13.2005, 9:26 AM

When I ride the subway, I see a mix of paper and plastic. Invariably several passengers are lost in their ipods (there must be a higher ipod-per-square-meter concentration in New York than anywhere else). One or two are playing a video game of some kind. Many just sit quietly with their thoughts. A few are conversing. More than a few are reading. The subway is enormously literate. A book, a magazine, The Times, The Post, The Daily News, AM New York, Metro, or just the ads that blanket the car interior. I may spend a lot of time online at home or at work, but on the subway, out in the city, paper is going strong.

Before long, they'll be watching television on the subway too, seeing as the latest ipod now plays video. But rewind to Monday, when David Carr wrote in the NY Times about another kind of ipod -- one that would totally change the way people read newspapers. He suggests that to bounce back from these troubled times (sagging print circulation, no reliable business model for their websites), newspapers need a new gadget to appear on the market: a light-weight, highly portable device, easy on the eyes, easy on the batteries, that uploads articles from the web so you can read them anywhere. An ipod for text.

This raises an important question: is it all just a matter of the reading device? Once there are sufficient advances in display technology, and a hot new gadget to incorporate them, will we see a rapid, decisive shift away from paper toward portable electronic text, just as we have witnessed a widespread migration to digital music and digital photography? Carr points to a recent study that found that in every age bracket below 65, a majority of reading is already now done online. This is mostly desktop reading, stationary reading. But if the greater part of the population is already sold on web-based reading, perhaps it's not too techno-deterministic to suppose that an ipod-like device would in fact bring sweeping change for portable reading, at least periodicals.

But the thing is, online reading is quite different from print reading. There's a lot of hopping around, a lot of digression. Any new hardware that would seek to tempt people to convert from paper would have to be able to surf the web. With mobile web, and wireless networks spreading, people would expect nothing less (even the new Sony PSP portable gaming device has a web browser). But is there a good way to read online text when you're offline? Should we be concerned with this? Until wi-fi is ubiquitous and we're online all the time (a frightening thought), the answer is yes.

We're talking about a device that you plug into your computer that automatically pulls articles from pre-selected sources, presumably via RSS feeds. This is more or less how podcasting works. But for this to have an appeal with text, it will have to go further. What if in addition to uploading new articles in your feed list, it also pulled every document that those articles linked to, so you could click through to referenced sites just as you would if you were online?

It would be a bounded hypertext system. You could do all the hopping around you like within the cosmos of that day's feeds, and not beyond -- you would have the feeling of the network without actually being hooked in. Text does not take up a lot of hard drive space, and with the way flash memory is advancing, building a device with this capacity would not be hard to achieve. Of course, uploading link upon link could lead down an infinite paper trail. So a limit could be imposed, say, a 15-step cap -- a limit that few are likely to brush up against.

So where does the money come in? If you want an ipod for text, you're going to need an itunes for text. The "portable, bounded hypertext RSS reader" (they'd have to come up with a catchier name --the tpod, or some such techno-cuteness) would be keyed in to a subscription service. It would not be publication-specific, because then you'd have to tediously sign up with dozens of sites, and no reasonable person would do this.

So newspapers, magazines, blogs, whoever, will sign licensing agreements with the tpod folks and get their corresponding slice of the profits based on the success of their feeds. There's a site called KeepMedia that is experimenting with such a model on the web, though not with any specific device in mind (and it only includes mainstream media, no blogs). That would be the next step. Premium papers like the Times or The Washington Post might become the HBOs and Showtimes of this text-ripping scheme -- pay a little extra and you get the entire electronic edition uploaded daily to your tpod.

As for the device, well, the Sony Librie has had reasonable success in Japan and will soon be released in the States. The Librie is incredibly light and uses an "e-ink" display that is reflective like paper (i.e. it can be read in bright sunlight), and can run through 10,000 page views on four triple-A batteries.

The disadvantages: it's only black-and-white and has no internet connectivity. It also doesn't seem to be geared for pulling syndicated text. Bob brought one back from Japan. It's nice and light, and the e-ink screen is surprisingly sharp. But all in all, it's not quite there yet.

There's always the do-it-yourself approach. The Voyager Company in Japan has developed a program called T-Time (the image at the top is from their site) that helps you drag and drop text from the web into an elegant ebook format configureable for a wide range of mobile devices: phones, PDAs, ipods, handheld video games, camcorders, you name it. This demo (in Japanese, but you'll get the idea) demonstrates how it works.

Presumably, you would also read novels on your text pod. I personally would be loathe to give up paper here, unless it was a novel that had to be read electronically because it was multimedia, or networked, or something like that. But for syndicated text -- periodicals, serials, essays -- I can definitely see the appeal of this theoretical device. I think it's something people would use.

Posted by ben vershbow at 09:26 AM | Comments (2)
tags: Online , Publishing, Broadcast, and the Press , RSS , The Ideal Device? , apple , book , books , e-ink , e_ink , ebook , ebooks , gadget , internet , ipod , japan , journalism , librie , media , news , newspaper , paper , paperless , podcast , podcasting , print , publishing , reader , reading , sony , syndication , technology , web

"everything bad is good for you" is really bad   10.11.2005, 10:31 AM

just finished the second book discussion at the institute. first was neil postman's building a bridge to the eighteenth century. second was steve johnson's everything bad is good for you in which johnson presents a contemporary refutation of postman.

johnson's basic premise seems harmless enough. games and tv drama are getting more layered, more complex. the mental exercise is likely making our brains more nimble, might even be improving our problem-solving skills. OK...

but how can you define good and bad simply in terms of whether one's brain is better at multi-tasking and problem-solving. i'll grant that this shift in raw brain power might make us more effective worker bees for our techno-capitalist society, but it doesn't mean that the substance of our lives or the social fabric is improved.

we don't need cheerleaders telling us everything is fine — especially when in our gut we're pretty sure it isn't. we need to look long and hard at the kind of world we are building with all this technology.

johnson's book has been widely praised, making it all the more important to hold it up to careful scrutiny. over the next several days we're going to launch a serious critique of "everything bad is good for you." please feel encouraged to join in.

Posted by bob stein at 10:31 AM | Comments (4)
tags: Games , TV , book , books , culture , everything_bad_is_good_for_you? , film , future , gaming , iq , media , reading , steven_johnson , stevenjohnson , technology , television , video_games

news and blogs to live under one roof at yahoo!   10.11.2005, 10:19 AM

Yahoo's revamped news search will present news and blogs side by side on the same page. In addition, the site will feature related images from Flickr, the social photo-sharing site that Yahoo purchased earlier this year, as well as user-contributed links from My Web (a feature that allows you to save and store web pages, and share them with others).

As before, the front news page will promote only stories from mainstream media sources, while the blog-news combo appears on a second-tier page that you arrive at when you conduct a specific search, or click for more details or more stories. No doubt, this was done, at least in part, to mollify angry news outlets who will likely call foul for making hard news share space with blogs. Still, the webscape has changed. All but the most cursory glance at the headlines will yield a richly confusing array of mainstream and grassroots sources.

(story, Yahoo Search Blog)

(thoughtful analysis from Tim Porter)

Posted by ben vershbow at 10:19 AM | Comments (1)
tags: Publishing, Broadcast, and the Press , RSS , aggregation , blog , blogging , blogs , citizen_journalism , journalism , media , msm , news , newspaper , portal , search , syndication , yahoo , yahoo!

ubu, king again   10.07.2005, 1:21 AM

It's nice to see that UbuWeb, the great public web library of the avant garde, is back online after "a long summer of rebuilding." At times when the web feels depressingly shallow, Ubu can be the perfect medecine. Among the many masterworks you will find is Samuel Beckett's "Film" (1965), starring a very old Buster Keaton. It's wonderful that anyone can watch this online (I've just spent half an hour in its thrall).

Also worth checking out are /ubu Editions - handsomely designed electronic texts ranging across an interesting selection of poetry, prose and theatre, including Ron Silliman's "The Chinese Notebook," which Dan blogged about a couple weeks back. These, like everything else on Ubu, are free.

Posted by ben vershbow at 01:21 AM | Comments (1)
tags: Libraries, Search and the Web , Online , avant_garde , avantgarde , beckett , buster_keaton , curated , ebook , experimental , fiction , film , gallery , internet , keaton , library , media , museum , music , poetry , samuel_beckett , silliman , theatre , ubu , ubuweb , web

human versus algorithm   09.29.2005, 3:40 PM

I just came across Common Times, a new community-generated news aggregation page, part of something called the Common Media Network, that takes the social bookmarking concept of del.icio.us and applies it specifically to news gathering. Anyone can add a story from any source to a series of sections (which seem pre-set and non-editable) arranged on a newspaper-style "front page." You add links through a bookmarklet on the links bar on your browser. Whenever you come across an article you'd like to submit, you just click the button and a page comes up where you can enter the metadata like tags and comments. Each user has a "channel" - basically a stripped-down blog - where all their links are displayed chronologically with an RSS feed, giving individuals a venue to show their chops as news curators and annotators. You can set it up so links are posted simultaneously to a del.icio.us account (there's also a Firefox extension that allows you to post stories directly from Bloglines).

Human aggregation is often more interesting than what the Google News algorithm can turn up, but it can easily mould to the biases of the community. Of course, search algorithms are developed by people, and source lists don't just manufacture themselves (Google is notoriously tight-lipped about its list of news sources). In the case of something like Common Times, a slick new web application hyped on Boing Boing and other digital culture sites, the communities can be rather self-selecting. Still, this is a very interesting experiment in multi-player annotation. When I first arrived at the front page, not yet knowing how it all worked, I was impressed by the fairly broad spread of stories. And the tag cloud to the right is an interesting little snapshot of the zeitgeist.

(via Infocult)

Posted by ben vershbow at 03:40 PM | Comments (0)
tags: Publishing, Broadcast, and the Press , aggregator , algorithm , bibliography , blog , blogging , bookmarking , del.icio.us , delicious , folksonomy , google , journalism , media , news , newspaper , search , socialsoftware , tag , tagging , tags

yahoo! hires finance writers   09.27.2005, 11:45 AM

Following Kevin Sites in the Hot Zone, Yahoo! takes another step in its transformation into original content provider (see Wall Street Journal - free). Though they say they have no intention of becoming a full-fledged news service.

Yahoo's move suggests increased specialization and atomization of news media on the web, as full-fledged news services find it increasingly hard to stay afloat (as the recent wave of staff cuts at major papers suggests). As newspapers agonize over how to make more money from their websites (e.g. Times Select), companies with diverse revenue bases (like the big search portals) will find it a lot easier to deliver the news. But it will be a stripped down service, heavy on features. Can the news media as public trust survive this process of atomization? Or was the idea of a public trust always a fairy tale?

Posted by ben vershbow at 11:45 AM | Comments (0)
tags: Publishing, Broadcast, and the Press , finance , financial , journalism , media , news , newspaper , portal , search , syndication , trust , writing , yahoo , yahoo!

excellent analysis of times select   09.26.2005, 5:49 PM

You can't fault the Times for trying to find a new business model for the web, but they seem to be doing themselves more harm than good with Times Select. Jay Rosen has a terrific post on Press Think running through various reactions to the NY Times' new subscription service that charges $49.99 per year for access to columnists, archives, and exclusive interactive features. Rosen rightly notes that the Times has gotten the idea of exclusivity all wrong:

The phrase “exclusive online accesss” advertises two different goods. The first good is the work of the Times columnists themselves. The proposition that some will pay for that is hard to prove until you try, but it’s simple to understand. The second good being advertised is exclusivity. You, the lucky TimesSelect subscriber, have access to these voices. Others do not. The value proposition there is muddled. If we prize up-to-date information about petroleum markets, we might value it more—and pay a premium—if the news is exclusively available to paying customers; but do we value Nicholas D. Kristof’s column more if he’s an “exclusive?”

We don’t. In fact, it’s probably the reverse. If everyone is reading a columnist, that makes the columnist more of a must have. If “everyone” isn’t, less of a must. “Exclusive online access” attacks the perception of ubiquity that is part and parcel of a great columnist’s power. In his prime Walter Lippmann was called “the name that opened every door.” Nick Kristof’s brand of human rights journalism, which depends on the mobilization of outrage, is simply less potent if it can’t reach widely around the world, and pass by every door.

The Wall Street Journal is an exclusive paper, so offering it over the web as a pay subscription service actually increases its cachet. The Times is a different sort of paper - it has a general audience and is read the world over. Its ubiquity, its availability over the web, is part of its identity.

Moroever, the Times is seriously overvaluing its columnists, or worse, de-valuing them by placing them behind a pay wall. If I were Tierney, or Kristof or Dowd, I would be furious. It makes them look like preened show dogs when everyone else is duking it out in the commons for all to read. Seems like a one-way ticket to irrelevance. Plus, soon they're going to have to take part in all sorts of online chats and seminars with Select subscribers - I bet they'll really start to chafe then.

The archive access is certainly tempting, though over-priced. Still, that seems a better starting point for a paperless subscription model, though it's hard to imagine archives alone finding a mass paying audience.

Posted by ben vershbow at 05:49 PM | Comments (0)
tags: NYTimes , Publishing, Broadcast, and the Press , journalism , media , newspaper , newyorktimes , opinion , press , times_select , timesselect

more shrinking newsrooms: "the perennial gale of creative destruction"   09.26.2005, 11:34 AM

"Mercury News plans to shrink newsroom by 52 jobs":

The newspaper whose newsroom topped 400 people at the height of the dot-com economic boom in Silicon Valley could not avoid downsizing to reflect a local economy that never recovered. But the larger problem...is that the stock market offers no slack to news organizations in less profitable years....

...Two weeks ago, the publicly traded Knight Ridder, the nation's second-largest newspaper chain, announced that earnings per share would fall 20%, which it attributed to higher paper costs and health insurance premiums.

Joseph A. Schumpeter, Capitalism, Socialism and Democracy:

The opening up of new markets, foreign or domestic, and the organizational development from the craft shop and factory to such concerns as U.S. Steel illustrate the same process of industrial mutation–if I may use that biological term–that incessantly revolutionizes the economic structure from within, incessantly destroying the old one, incessantly creating a new one. This process of Creative Destruction is the essential fact about capitalism. It is what capitalism consists in and what every capitalist concern has got to live in....

Every piece of business strategy acquires its true significance only against the background of that process and within the situation created by it. It must be seen in its role in the perennial gale of creative destruction; it cannot be understood irrespective of it or, in fact, on the hypothesis that there is a perennial lull....

Posted by ben vershbow at 11:34 AM | Comments (0)
tags: Publishing, Broadcast, and the Press , california , capitalism , culture , economy , journalism , journalist , knightridder , media , mercurynews , news , newspaper , newsroom , press , sanjose

marketing books on mobile phones   09.22.2005, 5:25 PM

Harper Collins Australia's new MobileReader service beams information about new titles and authors, and even book excerpts, to a cellphone. They're beginning with promotions of Dean Koontz, Paul Coelho and others.

(via textually)

Posted by ben vershbow at 05:25 PM | Comments (0)
tags: Microlit , Publishing, Broadcast, and the Press , advertising , book , books , cellphone , culture , ebook , gadget , harpercollins , literature , marketing , media , mobile , mobilecomputing , phone , publishing , reading , smartmobs , wireless

new york times and several philly papers cutting staff   09.22.2005, 4:32 PM

"Times Company Announces 500 Job Cuts"

"Philly Newspapers Announce 100 Job Cuts"

From an internal email sent by Bill Keller (NY Times Executive Editor) breaking the bad news (leaked to Gawker):

I won’t pretend that it will be painless. Between the buyouts earlier this summer and the demands placed on us by the IHT and the Website ­- not to mention the heroic commitment we’ve made to covering the aftermath of Katrina ­ we don’t have a lot of slack. Like the rest of you, I found the recent spate of retirement parties more saddening than celebratory, both for the obvious personal reasons and because they represented a sapping of our collective wisdom and experience. Throughout these lean years you have worked your hearts out to perform our daily miracle, and I wish I could tell you relief was in sight.

Bob Cauthorn comments on Rebuilding Media about newspapers on the precipice:

The pro-industry spin will talk about combining web-site and print readers, which is disingenuous in exactly 1,465 ways. For example, does someone from Islamabad dipping in for one story on your web site have equal value as a seven-day-a- week local print subscriber?...

...The notion of platform shift -- people moving from print to web just, you know, because -- is a comfort to the media establishment as it suggests people still really, really, really love their product, they're just selecting a different distribution mechanism.

Nonsense. The platform shift doctrine is a dangerous -- and for some media companies, ultimately fatal -- illusion that blinds the industry to necessary changes in the core product. Platform shift is the argument for the status quo: We don't have to do anything different.

Speaking of not doing anything different, the Wall Street Journal ran this story about magazines experimenting with "digital editions": "electronic versions of their publications that replicate every page of the print edition down to the table of contents and the ads."

Cauthorn goes on about possibly breathing new life into print:

If newspapers fix their print products circulation will grow -- change format, revive local coverage, alter the hierarchical approach to the news, open the ears of the newsrooms and get reporters back on the street where they belong. If you want to get really daring, re-imagine print newspapers as a three-day a week product rather than as a seven-day a week product.

As a practical matter, print newspapers only make money three days a week anyway. Imagine the interplay between a seven day a week digital product and a densely focused (and wildly profitable) three-day a week print product. Each doing different things. Each serving readers and advertisers in different ways.

The Guardian has just totally revamped its print identity, abandoning the broadsheet for the more petite Berliner format and adopting a slicker style. It'll be worth watching whether this catches on. New packaging might make newspapers cuter, but not necessarily better.

Posted by ben vershbow at 04:32 PM | Comments (0)
tags: NYTimes , Online , Publishing, Broadcast, and the Press , billkeller , digital , interent , journalism , knightridder , magazine , media , news , newspaper , newyorktimes , paperless , philadelphia , press , print , publishing , web

uh oh   09.12.2005, 6:13 PM

It's really happening. Next Monday, The New York Times will inaugurate its "Times Select" subscription service. NYTimes.com will remain free, with much of the usual content still available (including multimedia), but op-eds and columnists will be pay-only. Oh well, the Washington Post opinion page is better anyway. The 100-article-per-month archive access is slightly tempting though.

The Times is betting that significant numbers of readers will shell out, just like they do for a premium channel on cable. Can the Times be the HBO of web news? Casual reader poll: who's thinking of paying?

(link: Letter From the Editor explaining the new service to readers)

Posted by ben vershbow at 06:13 PM | Comments (2)
tags: HBO , NYTimes , Online , Publishing, Broadcast, and the Press , internet , journalism , media , news , newspaper , newyork , newyorktimes , subscription , times , timesselect , web

yahoo! experiments with multimedia journalism   09.12.2005, 10:36 AM

Yahoo! has enlisted tele-journalist and blogger Kevin Sites to produce a one-year web program chronicling the world's conflict zones in multimedia format.

Sites has become known for his jaunts as a "solo journalist," trundling from hot spot to hot spot with a backpack full of gadgetry, beaming reports from his one-man broadcast station. It's a formula that is tailor-made for the web. Clearly, Yahoo! was paying attention. The NY Times reports on "Kevin Sites In the Hot Zone":

As he travels to these places, Mr. Sites will write a 600- to 800-word dispatch each day and produce a slide show of 5 to 10 digital photographs. He will also narrate audio travelogues. There will be several forms of video - relatively unedited footage posted several times a week, and once a week, a more traditional video report, edited in the style of a network news broadcast.

Mr. Sites will also be the host of regular online chats with Yahoo users who will be able to post comments on message boards. And he will post quick text messages on the site updating his activities throughout the day.

Counting on war and carnage as a surefire crowd draw, Yahoo! makes a rather tawdry entrance into independent journalism. But this is a very significant move nonetheless, evidence that Yahoo! is evolving into a full-fledged media company, and suggesting that the one-man-band approach to journalism and webcast might become a regular thing. If the Sites show finds an audience, they should try out serious investigative reporting or medium-length documentary.

Posted by ben vershbow at 10:36 AM | Comments (0)
tags: Online , Publishing, Broadcast, and the Press , blogger , blogging , broadcast , conflict , hotzone , internet , journalism , kevinsites , media , news , reporter , search , sites , war , web , yahoo , yahoo!

recommended podcast: "information as news"   09.08.2005, 5:57 PM

Katrina blew through the news business just as furiously as it tore through the Gulf Coast. For a good discussion of this, I highly recommend last night's podcast of Open Source, a great new program on public radio that is of, by and through the web, generating story ideas and discussion on its blog. The show operates in an exciting border zone, dealing with general interest stories while always keeping an eye on the changing communication practices that are affecting/chanelling them. Last night's show - "Craigslist and Nola.com: Information as News" - deals with citizen coverage of Katrina and the big changes underfoot for professional journalism.

Host Christopher Lydon speaks, with the breathless excitement of a man watching his profession change before his eyes, about "changing terms of authority in the news business" after Hurricane Katrina. He has on as guests Craig Newmark of craigslist (New Orleans site), nola.com editor Jon Donley, and media critic/blogger/citizen journalism guru Jeff Jarvis. From the intro:

The best reporting in the world — no hyperbole, the best reporting in the world — this week came from the web division of the New Orleans Times Picayune, nola.com. Information — missing person reports, safe and alive person reports — became news. And it became a source, even, for rescue teams, more accurate than anything else they had to go on.

Craigslist, after Katrina, became a forum for finding the missing and housing the saved, and what you find on Craigslist are stories as compelling as anything on CNN. Maybe what communities want in a time of crisis is good information, and maybe detailed, accurate information makes the best story. Craig and Jeff helped invent two new ways of collecting and distributing information; Jon is perfecting it right now in the Crescent City.

Posted by ben vershbow at 05:57 PM | Comments (0) | TrackBack
tags: Publishing, Broadcast, and the Press , citizenjournalism , craigslist , hurricanekatrina , jarvis , jeffjarvis , joedonley , journalism , katrina , lydon , media , new , newmark , news , newspaper , nola , nola.com , opensource , orleans , podcast , publicradio , radio , radioopensource

convergence sighting: ipod phone   09.08.2005, 8:10 AM

The Motorola ROKR, a new iTunes-compatible cellphone developed for Apple, hits the stores today for Cingular subscribers. The phone will run for $249.99 and can load up to 100 songs from a computer through a USB wire. Sounds like a rip-off to me, but indicative of things to come. It also comes equipped with a camera. The cellphone is steadily swallowing up all personal media.

Apple also unveiled its newest iPod, the "nano," which uses solid flash memory (like in little USB memory sticks) rather than a hard drive with moving parts. It's roughly the size of a half dozen business cards stacked together, and can hold up to 1,000 songs.

Posted by ben vershbow at 08:10 AM | Comments (1)
tags: The Ideal Device? , The Performing Book , apple , cameraphone , cellphone , gadgets , ipod , itunes , media , mobile , motorola , music , nano , phone , podcast , rokr , technology

katrina and the interactive atlas   09.07.2005, 12:31 PM

Interactive maps help those of us not in the region to grasp the terrain of devastation wrought by Hurricane Katrina. These maps are suggestive of a new paradigm for the digital page - an interactive canvas, or territory, through which the reader can zoom through orders of magnitude.

Most talked about is the "visual wiki" at scipionus.com - a re-tooling of Google maps that invites users to post tabs with information pertaining to specific locales (as fine-grained as streetcorners). Tabs are editable and are supposed to be used only for concrete reports, though many have posted pleas for news of specific missing persons or of the condition of certain blocks. Some samples:

"Saw news video 9/2/05 of corner street sign at 10th St. & Pontchartrain Blvd. Water level was about 6 in. below. green street signs."

"the Ashley's are in Prattville AL"

"4400 Calumet -- dry on Weds?"

"as of 5:00 pm.. the streets from wilson canal to transcontinental are COMPLETELY DRY! source from somebody who stayed and called to tell us the info."

"Dylan Nash anyone?? call 919-7307018"

The maps include post-Katrina satellite imagery, which reveals, upon zooming in, horrifying grids of inundated streets, stadiums filled up like soup tureens, city parks transformed into swamps. Wired recently ran a piece about sciponius.

Before & After:

I was also impressed by the interactive maps on washingtonpost.com.

Click on spinning wheels at various points along the coastline and windows pop up with scrolling panoramic shots. Quite stunning. You can click the screen and drag the scroll in either direction, stop it, speed it up, and even pull it up and down to reveal glimpses of the sky or ground. Photojournalism is given new room to play on online newspapers.

(No Need to Click Here - I'm just claiming my feed at Feedster feedster:d50fedfc363272797584521a06a79da5)

Posted by ben vershbow at 12:31 PM | Comments (0)
tags: atlas , book , books , digital , ebook , googlemaps , gulfcoast , hurricanekatrina , interactive , journalism , katrina , map , maps , media , neworleans , photo , photojournalism , reading , sciponius

blogging the hurricane   08.31.2005, 12:32 PM

As Katrina has blasted the Gulf Coast beyond recognition, a number of blogs have maintained a steady stream of reportage and personal testimony, in some cases serving as bulletin boards for the names of the missing. Given the extent of the destruction to communications infrastructure, it's not surprising that it has primarily been the media blogs that have managed to stay active.

Here are a few I've come across (Poynter Online has been an invaluable resource for exploring the online response to Katrina):

Eyes on Katrina: A South Mississippi hurricane journal (from The Sun Herald) - a combination of brief news updates, community bulletin board, and advance runs of Sun Herald stories on Katrina.

Tuesday, 2:23 pm:

This from staff writer Geoff Pender, who is calling in reports from Hattiesburg. If you are thinking about getting in the car and coming back to South Mississippi, don't. The Mississippi Emergency Management Agency is telling people who have evacuated to stay away until the roads have been cleared and the National Guard is in place. If we get word when that happens, we'll pass it along.

On a different note, we have a report that portions of U.S. 90 are under seven feet of water.

NOLA View: a weblog by Jon Donley - for nola.com, a news and culture portal from The New Orleans Times-Picayune. Posting survival stories from readers.

From reader Lynne Bernard (today), on trying to survive in Talahassee, FL:

Story: We are stranded in Tallahassee. There is absolutely no compassion here whatsoever. The Hampton Inn in Tallahasse is pretty much throwing us out because of a football game. We are running out of money with no way of getting more out of the bank. We cannot use debit cards and our credit cards are maxed out. I thought I would encounter a little compassion and understanding here in Florida seeing they have been through similar situations. There is none. People here and the manager of this motel are very cold and uncaring. If anyone out there has any suggestions please email me asap. I cannot get in touch with red cross or fema. Cell phones don't work. Can't get hold of any family member for help. Please help!!!!

CNN: Miles O'Brien's Hurricane Blog - direct from Louisiana.

Monday, 6:54 am:

Louisiana State University Hurricane Center's Ivor van Heerden just said a real concern is coffins that would be swept away by the floodwaters -- which themselves will be laced with a witches' brew of industrial chemicals. Horrifying image.

Metroblogging New Orleans - group blog with frequent, first-hand reports.

12:54 pm today, from Craig Giesecke:

Being refugees has forced us to confront new realities and possibilities, particularly since it might be a while before we'll actually be able to return to stay. I'm self-employed in a food business that was just beginning to take off and fly a bit on its own when this storm struck. To wit...

1) when we actually go home, what shape will my production facility be in? Since it's in Mid-City, I'm assuming it's already full of water.

2) Even if I can get the equipment operating again someplace else, 75 percent of my business is done in metro New Orleans. Lord knows how long it might be (2006?) before any local clients will be able to start placing orders again.

3) So far, our house seems to be dry. But when we get back in, how long will it be before anything else is around us? The neighbors will return, but how long before any of us can start earning a paycheck again? I mean -- earning a paycheck ANYwhere?

Storm Central from al.com ("everything alabama") - news updates and reader email.

Paula Baker from Houston, TX:

I am trying to find out about my brother. Stayed in Pascagoula. House on Sunfish Dr. 5 Blocks from beach

This is just a selection - by no means comprehensive. Let us know if you find anything else of interest.

Posted by ben vershbow at 12:32 PM | Comments (2)
tags: alabama , blog , blogger , blogging , blogs , gulfcoast , hurricane , hurricane_katrina , journalism , katrina , louisiana , media , mississippi , press , storm

convergence sighting: the multi-channel tv screen   08.30.2005, 2:20 PM

Several new "interactive television" services are soon to arrive that offer "mosaic" views of multiple channels, drawing TV ever nearer to full adoption of the browser, windows, and aggregator paradigms of the web (more in WSJ). It seems that once television is sufficiently like the web, it will simply be the web, or one province thereof.

Posted by ben vershbow at 02:20 PM | Comments (0)
tags: Online , Publishing, Broadcast, and the Press , TV , Transliteracies , aggregator , broadcast , browser , cable , interactive , media , network , ondemand , technology , television , video , web , windows

the blog as a record of reading   08.22.2005, 2:11 PM

An excellent essay in last month's Common-Place, "Blogging in the Early Republic" by W. Caleb McDaniel, examines the historical antecedents of the present blogging craze, looking not to the usual suspects - world shakers like Martin Luther and Thomas Paine - but to an obscure 19th century abolitionist named Henry Clarke Wright. Wright was a prolific writer and tireless lecturer on a variety of liberal causes. He was also "an inveterate journal keeper," filling over a hundred diaries through the course of his life. And on top of that, he was an avid reader, the diaries serving as a record of his voluminous consumption. McDaniel writes:

While private, the journals were also public. Wright mailed pages and even whole volumes to his friends or read them excerpts from the diaries, and many pages were later published in his numerous books. Thus, as his biographer Lewis Perry notes, in the case of Wright, "distinctions between private and public, between diaries and published writings, meant little."

Wright's journaling habit is interesting not for any noticeable impact it had on the politics or public discourse of his day; nor (at least for our purposes) for anything particularly memorable he may have written. Nor is it interesting for the fact that he was an active journal-keeper, since the practice was widespread in his time. Wright's case is worth revisiting because it is typical -- typical not just of his time, but of ours. It tells a strikingly familiar story: the story of a reader awash in a flood of information.

Wright, in his lifetime, experienced an incredible proliferation of printed materials, especially newspapers. The print revolution begun in Germany 400 years before had suddenly gone into overdrive.

The growth of the empire of newspapers had two related effects on the practices of American readers. First, the new surplus of print meant that there was more to read. Whereas readers in the colonial period had been intensive readers of selected texts like the Bible and devotional literature, by 1850 they were extensive readers, who could browse and choose from a staggering array of reading choices. Second, the shift from deference to democratization encouraged individual readers to indulge their own preferences for particular kinds of reading, preferences that were exploited and targeted by antebellum publishers. In short, readers had more printed materials to choose from, more freedom to choose, and more printed materials that were tailored to their choices.

Wright's journaling was his way of metabolizing this deluge of print, and his story draws attention to a key aspect of blogging that is often overshadowed by the more popular narrative - that of the latter-day pamphleteer, the lone political blogger chipping away at mainstream media hegemony. The fact is that most blogs are not political. The star pundits that have risen to prominence in recent years are by no means representative of the world's roughly 15 million bloggers. Yet there is one crucial characteristic that is shared by all of them - by the knitting bloggers, the dog bloggers, the macrobiotic cooking bloggers, along with the Instapundits and Daily Koses: they are all records of reading.

The blog provides a means of processing and selecting from an overwhelming abundance of written matter, and of publishing that record, with commentary, for anyone who cares to read it. In some cases, these "readings" become influential in themselves, and multiple readers engage in conversations across blogs. But treating blogging first as a reading practice, and second as its own genre of writing, political or otherwise, is useful in forming a more complete picture of this new/old phenomenon. To be sure, today's abundance makes the surge in 18th century printing look like a light sprinkle. But the fundamental problem for readers is no different. Fortunately, blogs provide us with that much more power to record and annotate our readings in a way that can be shared with others. We return to Bob's observation that something profound is happening to our media consumption patterns.

As McDaniel puts it:

...readers, in a culture of abundant reading material, regularly seek out other readers, either by becoming writers themselves or by sharing their records of reading with others. That process, of course, requires cultural conditions that value democratic rather than deferential ideals of authority. But to explain how new habits of reading and writing develop, those cultural conditions matter as much—perhaps more—than economic or technological innovations. As Tocqueville knew, the explosion of newspapers in America was not just a result of their cheapness or their means of production, any more than the explosion of blogging is just a result of the fact that free and user-friendly software like Blogger is available. Perhaps, instead, blogging is the literate person’s new outlet for an old need. In Wright’s words, it is the need "to see more of what is going on around me." And in print cultures where there is more to see, it takes reading, writing, and association in order to see more.

(image: "old men reading" by nobody, via Flickr)

Posted by ben vershbow at 02:11 PM | Comments (1)
tags: Publishing, Broadcast, and the Press , Transliteracies , article , blog , blogging , blogs , book , books , diary , ebook , essay , journal , journalism , media , newspaper , pamphleteer , paperless , print , reading , thomas_paine

lizards! defying the laws of mass market physics   12.16.2004, 5:25 PM

Found this yesterday on changethis.com - a site devoted to publishing and disseminating manifestos. Documents are smartly designed pdfs, spread primarily through the viral channels of the blogosphere and personal email mentions.

In "The Long Tail" Wired editor-in-chief Chris Anderson predicts a new age of abundance, in which the Internet elevates niche markets and makes mass market quotas irrelevant. Of course, this is already happening, much to the distress of mass media dinosaurs, who are scrambling to protect their creaking architecture of revenue.

The "long tail" refers to the slender expanse of obscure niche sales enjoyed by a web retailer, as represented on an x-y graph. It extends from the body of high volume, mainstream sales (Wal-Mart and the like) like the caudal appendage of a lizard.

Read Manifesto: The Long Tail

Posted by ben vershbow at 05:25 PM | Comments (0)
tags: chris_anderson , economics , internet , long_tail , manifesto , media , p2p , publishing , web