Listing entries tagged with journalism
washington post and new york times hyperlink bylines
02.14.2006, 12:56 PM
In an effort to more directly engage readers, two of America's most august daily newspapers are adding a subtle but potentially significant feature to their websites: author bylines directly linked to email forms. The Post's links are already active, but as of this writing the Times, which is supposedly kicking off the experiment today, only links to other articles by the same reporter. They may end up implementing this in a different way.
The email trial comes on the heels of two notoriously failed experiments by elite papers to pull readers into conversation: the LA Times' precipitous closure, after an initial 24-hour flood of obscenities and vandalism, of its "wikatorials" page, which invited readers to rewrite editorials alongside the official versions; and more recently, the Washington Post's shutting down of comments on its "post.blog" after experiencing a barrage of reader hate mail. The common thread? An aversion to floods, barrages, or any high-volume influx of unpredictable reader response. The email features, which presumably are moderated, seem to be the realistic compromise, favoring the trickle over the deluge.
In a way, though, hyperlinking bylines is a more profound development than the higher profile experiments that came before, which were more transparently about jumping aboard the wiki/blog bandwagon without bothering to think through the implications, or taking the time -- as successful blogs and wikis must always do -- to gradually build up an invested community of readers who will share the burden of moderating the discussion and keeping things reasonably clean. They wanted instant blog, instant wiki. But online social spaces are bottom-up enterprises: invite people into your home without any preexisting social bonds and shared values -- and add to that the easy target of being a mass media goliath -- and your home will inevitably get trashed as soon as word gets out.
Being able to email reporters, however, gets more at the root of the widely perceived credibility problem of newspapers, which have long strived to keep the human element safely insulated behind an objective tone of voice. It's certainly not the first time reporters' or columnists' email addresses have been made available, but usually they get tucked away toward the bottom. Having the name highlighted directly beneath the headline -- making the reporter an interactive feature of the article -- is more genuinely innovative than any tacked-on blog because it places an expectation on the writers as well as the readers. Some reporters will likely treat it as an annoying new constraint, relying on polite auto-reply messages to maintain a buffer between themselves and the public. Others may choose to engage, and that could be interesting.
Posted by ben vershbow at 12:56 PM
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tags: Publishing, Broadcast, and the Press , Social Software , blogs , email , journalism , media , new_york_times , newspapers , social_software , washington_post , wikis
.tv
01.09.2006, 6:15 PM
People have been talking about internet television for a while now. But Google and Yahoo's unveiling of their new video search and subscription services last week at the Consumer Electronics Show in Las Vegas seemed to make it real.
Sifting through the predictions and prophecies that subsequently poured forth, I stumbled on something sort of interesting -- a small concrete discovery that helped put some of this in perspective. Over the weekend, Slate Magazine quietly announced its partnership with "meaningoflife.tv," a web-based interview series hosted by Robert Wright, author of Nonzero and The Moral Animal, dealing with big questions at the perilous intersection of science and religion.
Launched last fall (presumably in response to the intelligent design fracas), meaningoflife.tv is a web page featuring a playlist of video interviews with an intriguing roster of "cosmic thinkers" -- philosophers, scientists and religious types -- on such topics as "Direction in evolution," "Limits in science," and "The Godhead."
This is just one of several experiments in which Slate is fiddling with its text-to-media ratio. Today's Pictures, a collaboration with Magnum Photos, presents a daily gallery of images and audio-photo essays, recalling both the heyday of long-form photojournalism and a possible future of hybrid documentary forms. One problem is that it's not terribly easy to find these projects on Slate's site. The Magnum page has an ad tucked discretely on the sidebar, but meaningoflife.tv seems to have disappeared from the front page after a brief splash this weekend. For a born-digital publication that has always thought of itself in terms of the web, Slate still suffers from a pretty appalling design, with its small headline area capping a more or less undifferentiated stream of headlines and teasers.
Still, I'm intrigued by these collaborations, especially in light of the forecast TV-net convergence. While internet TV seems to promise fragmentation, these projects provide a comforting dose of coherence -- a strong editorial hand and a conscious effort to grapple with big ideas and issues, like the reassuringly nutritious programming of PBS or the BBC. It's interesting to see text-based publications moving now into the realm of television. As Tivo, on demand, and now, the internet atomize TV beyond recognition, perhaps magazines and newspapers will fill part of the void left by channels.
Limited as it may now seem, traditional broadcast TV can provide us with valuable cultural touchstones, common frames of reference that help us speak a common language about our culture. That's one thing I worry we'll lose as the net blows broadcast media apart. Then again, even in the age of five gazillion cable channels, we still have our water-cooler shows, our mega-hits, our television "events." And we'll probably have them on the internet too, even when "by appointment" television is long gone. We'll just have more choice regarding where, when and how we get at them. Perhaps the difference is that in an age of fragmentation, we view these touchstone programs with a mildly ironic awareness of their mainstream status, through the multiple lenses of our more idiosyncratic and infinitely gratified niche affiliations. They are islands of commonality in seas of specialization. And maybe that makes them all the more refreshing. Shows like "24," "American Idol," or a Ken Burns documentary, or major sporting events like the World Cup or the Olympics that draw us like prairie dogs out of our niches. Coming up for air from deep submersion in our self-tailored, optional worlds.
Posted by ben vershbow at 06:15 PM
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tags: Publishing, Broadcast, and the Press , TV , broadband , broadcast , documentary , google , internet , journalism , media , media_consumption , multimedia , network , photography , religion , science , slate , television , yahoo
phone photo of london underground nominated for time best photo;
photo agency claims credit for creative commons work
12.28.2005, 10:26 AM
Moblog co-founder Alfie Dennen is furious that the photo agency Gamma has claimed credit for a well-known photo of last summer's London subway bombing —first circulated on Moblog under a Creative Commons liscence — that was chosen for Time's annual Best Photo contest. Dennen and others in the blogosphere are hoping that photographer Adam Stacey might take legal action against Gamma for what seems to be a breach of copyright.
We at the Institute are still trying to figure out what to make of this. Like everyone else who has been observing the increasing popularity of the Creative Commons license, we've been wondering when and how the license will be tested in court. However, this might not be the best possible test case. On one hand, it seems to be a somewhat imperious "claiming" of a photo widely celebrated for being produced by a citizen journalist who was committed to its free circulation. One the other hand, it seems unclear whether Dennen and/or Stacey are correct in their assertion that the CC license that was used really prohibits Gamma from attaching their name to the photo.
The photo in question, a shot of gasping passengers evacuating the London Underground in the moments after last summer's bombing (in the image above, it's the second photo clockwise), was snapped by Stacey using the camera on his cellphone. Time's nomination of the photo most likely reflects the fact that the photo itself — and Stacey — became something of a media phenomenon in the weeks following the bombing. The image was posted on Moblog about 15 minutes after the bombing, and then widely circulated in both print and online media venues. Stacey subsequently appeared on NPR's All Things Considered, and the photo was heralded as a signpost that citizen journalism had come into its own.
While writing about the photo's appearance in Time, Dennen noticed that Time had credited the photo to Adam Stacey/Gamma instead of Adam Stacey/Creative Commons. According to Dennen, Stacey had been contacted by Gamma and had turned down their offer to distribute the photo, so the attribution came as an unpleasant shock. He claims that the license chosen by Stacey clearly indicates that the photo be given Creative Commons attribution. But is this really clear? The photo is attributed to Stacey, but not to Creative Commons: does this create a grey area? The license does allow commercial use of Stacey's photo, so if Gamma was making a profit off the image, that would be legal as well.
Dennen writes on his weblog that he contacted Gamma for an explanation, arguing that after Stacey told the agency that he wanted to distribute the photo through Creative Commons, they should have understood that they could use it, but not claim it as their own. Gamma responded in an email that, "[we] had access to this pix on the web as well as anyone, therefore we downloaded it and released it under Gamma credit as all agencies did or could have done since there was no special requirement regarding the credit." They also claimed that in their conversation with Stacey, Creative Commons never came up, and that a "more complete answer" to the reason for the attribution would be available after January 3rd, when the agent who spoke with Stacey returned from Christmas vacation.
Until then, it's difficult to say whether Gamma's claim of credit for the photo is accidental or deliberate disregard. Dennen also says that he's contacting Time to urge them to issue a correction, but he hasn't gotten a response yet. I'll follow this story as it develops.
Posted by lisa lynch at 10:26 AM
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tags: Copyright and Copyleft , citizen , commons , creative , journalism , moblog , time
curbside at the WTO
12.14.2005, 5:54 PM
A little while ago I came across this website maintained by a group of journalism students, business writers and bloggers in Hong Kong providing "frontline coverage" of the current WTO meetings. The site provides a mix of on-the-ground reporting, photography, event schedules, and useful digests of global press coverage of the week-long event and surrounding protests. It feels sort of halfway between a citizen journalism site and a professional news outlet. It's amazing how this sort of thing can be created practically overnight.
They have a number of good photo galleries. Here are the Korean farmers jumping into Hong Kong Harbor:

Posted by ben vershbow at 05:54 PM
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tags: Hong_Kong , Publishing, Broadcast, and the Press , WTO , citizen_journalism , globalization , journalism , media , protests
pulitzers will accept online journalism
12.07.2005, 4:45 PM
Online news is now fair game for all fourteen journalism categories of the Pulitzer Prize (previously only the Public Service category accepted online entries). However, online portions of prize submissions must be text-based, and the only web-exclusive content accepted will be in the breaking news reporting and breaking news photography categories.
But this presumably opens the door to some Katrina-related Pulitzers this April. I would put my bets on nola.com, the New Orleans Times-Picayune site that kept reports flying online throughout the hurricane.
Of course, the significance of this is mainly symbolic. When the super-prestigious Pulitzer (that's him to the right) starts to re-align its operations, you know there are bigger plate tectonics at work. This would seem to herald an eventual embrace of blogs, most obviously in the areas of commentary, beat reporting, community service, and explanatory reporting (though investigative reporting may not be far off). The committee would do well to consider adding a "news analysis" category for all the fantastic websites, many of them blogs, that help readers make sense of the news and act as a collective watchdog for the press.
Also, while the Pulitzer changes evince a clear preference for the written word, it seems inevitable that inter-media journalism will continue to gain in both quality and legitimacy. We'll probably look back on all the Katrina coverage as the watershed moment. Newspapers (some of them anyway) will figure out that to stay relevant, and distinctive enough not to be pulled apart by aggregators like Google or Yahoo news search, they will have to weave a richer tapestry of traditional reporting, commentary, features, and rich multimedia: a unique window to the world.
Nola.com didn't just provide good, constant coverage, it saved lives. It was an indispensible, unique portal that could not be matched by any aggregator (though harnessing the power of aggregation is part of what made it successful). The crisis of the hurricane put in relief what could be a more everyday strategy for newspapers. The NY Times currently is experimenting with this, developing a range of multimedia features and cordoning off premium content behind its Select pay wall. While I don't think they've yet figured out the right combination of premium content to attract large numbers of paying web subscribers, their efforts shouldn't necessarily be dismissed.
Discussions on the future of the news industry usually center around business models and the problem of solvency with a web-based model. These questions are by no means trivial, but what they tend to leave out is how the evolving forms of journalism might affect what readers consider valuable. And value is, after all, what you can charge for. It's fatalistic to assume that the web's entropic power will just continue to wear down news institutions until they vanish. The tendency on the web toward fragmentation is indeed strong, but I wouldn't underestimate the attraction of a quality product.
A couple of years ago, file sharing seemed to spell doom for the music industry, but today online music retailers are outselling most physical stores. Perhaps there is a way for news as well, but the news will have to change. Dan Gillmor is someone who has understood this for quite some time, and I quote from a rather prescient opinion piece he wrote back in 1997 when the Pulitzers were just beginning to wonder what to do about all this new media (this came up today on the Poynter Online-News list):
When we take journalism into the digital realm, media distinctions lose their meaning. My newspaper is creating multimedia journalism, including video reports, for our Web site. We strongly believe that the online component of our work augments what we sometimes call the "dead-tree" edition, the newspaper itself. Meanwhile, CNN is running text articles on its Web site, adding context to video reports.So you have to ask a simple question or two: Online, what's a newspaper? What's a broadcaster?
Suppose CNN posts a particularly fine video report on its Web site, augmented by old-fashioned text and graphics. If the Pulitzer Prizes are o pen to online content, the CNN report should be just as valid an entry as, say, a newspaper series posted online and augmented with video.
And what about the occasionally exceptional journalism we're seeing from Web sites (or on CD-ROMs) produced by magazines, newsletters, online-only companies or even self-appointed gadflies? Corporate propaganda obviously will fail the Pulitzer test, but is a Microsoft-sponsored expose of venality by a competitor automatically invalid when it's posted on the Microsoft Network news site or MSNBC? Drawing these lines will take serious wisdom, unless the Pulitzer people decide simply to ignore trends and keep the prizes the way they are, in which case the awards will become quaint - or worse, irrelevant.
I'm also intrigued by another change made by the Pulitzer committee (from the A.P.):
In a separate change, the upcoming Pulitzer guidelines for the feature writing category will give ''prime consideration to quality of writing, originality and concision.'' The previous guidelines gave ''prime consideration to high literary quality and originality.''
Drop the "literary" and add "concision." A move to brevity and a more colloquial character are already greatly in evidence in the blogosphere and it's beginning to feed back into the establishment press. Employing once again the trusty old Pulitzer as barometer, this suggests that that most basic of journalistic forms -- "the story" -- is changing.
Posted by ben vershbow at 04:45 PM
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tags: Publishing, Broadcast, and the Press , aggregation , journalism , katrina , media , multimedia , news , newspaper , pulitzer
alternative journalisms
11.23.2005, 2:26 PM
Craigslist founder Craig Newmark has announced he will launch a major citizen journalism site within the next three months. As quoted in The Guardian:
The American public has lost a lot of trust in conventional newspaper mechanisms. Mechanisms are now being developed online to correct that....It was King Henry II who said: 'Won't someone rid me of that turbulent priest?' We have seen a modern manifestation of that in the US with the instances of plausible deniability, the latest example of that has been the Valerie Plame case and that has caused damage.
Can a Craiglist approach work for Washington politics? It's hard to imagine a million worker ants distributed across the nation cracking Plamegate. You're more likely to get results from good old investigative reporting, but combined with a canny postmodern sense of spin (and we're not just talking about the Bush administration's spin, but Judith Miller's spin, The New York Times' spin) and the ability to make that part of the story. Combine the best of professional journalism with the best of the independent blogosphere. Can this be done?
Josh Marshall of Talking Points Memo fame wants to bridge the gap with a new breed of "reporter-blogger," currently looking to fill two such positions -- paid positions -- for a new muckraking blog that will provide "wall-to-wall coverage of corruption, self-dealing, and betrayals of the public trust in today's Washington" (NY Sun has details). While other high-profile bloggers sign deals with big media, Marshall clings fast to his independence, but recognizes the limitations of not being on the ground, in the muck, as it were. He's banking that his new cyborgs might be able to shake up the stagnant Washington press corps from the inside, or at least offer readers a less compromised view (though perhaps down the road fledgeling media empires like Marshall's will become the new media establishment).
That's not to say that the Craigslist approach will not be interesting, and possibly important. It was dazzling to witness the grassroots information network that sprung up on the web during Hurricane Katrina, including on the Craigslist New Orleans site, which became a clearinghouse for news on missing persons and a housing directory for the displaced. For sprawling catastrophes like this it's impossible to have enough people on the ground. Unless the people on the ground start reporting themselves.
Citizen journalists also pick up on small stories that slip through the cracks. You could say the guy who taped the Rodney King beating was a "citizen journalist." You could say this video (taken surreptitiously on a cellphone) of a teacher in a New Jersey high school flipping out at a student for refusing to stand for the national anthem is "citizen journalism." Some clips speak for themselves, but more often you need context, you need to know how to frame it. The interesting thing is how grassroots journalism can work with a different model for contextualization. The New Jersey video made the rounds on the web and soon became a story in the press. One person slaps up some footage and everyone else comments, re-blogs and links out. The story is told collectively.
Posted by ben vershbow at 02:26 PM
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tags: CitJ , Publishing, Broadcast, and the Press , Social Software , citizen_journalism , craig_newmark , craigslist , grassroots , journalism , katrina , media , news , politics , press , talkingpointsmemo , washington
the times they are a-changin'
11.14.2005, 4:18 PM
Knight Ridder Inc., the second largest newspaper conglomerate in the U.S., is under intense pressure from its more powerful investors to start selling off papers. The New York Times reports that the company is now contemplating "strategic alternatives." Consider the following in terms of what Bob is saying one post down about time. With the rise of the 24-hour news cycle and the internet, news is adopting a different time signature.
It is unclear who may want to buy Knight Ridder. Newspaper companies, though still immensely profitable, have a murky future that is clouded by a shrinking readership and weak advertising revenue, both of which are being leeched away by the Internet....In the six moths that ended in September, newspaper circulation nationally fell 2.6 percent daily and 3.1 percent on Sundays, the biggest decline in any comparable period since 1991, according to the Audit Bureau of Circulations. All in all, 45.2 million people subscribed to 1,457 reporting papers, down from a peak of 63.3 million people and 1,688 newspapers in 1984.
By comparison, 47 million people visited newspaper Web sites, about a third of United States Internet users, according to the circulation bureau.
The time it takes to read the newspaper in print -- a massive quilt, chopped up and parceled (I believe Gary Frost said something about this) -- you might say it leads to a different sort of understanding of the world around you. It seems to me that the newspapers that will last longest in print are the Sunday editions, aimed at a leisurely audience, taking stock of the week that has just ended and preparing for the one about to commence. On Sundays, the world spreads out before you in print, and perhaps you make a point of taking some time away from the computer (at least, this might be the case for hybrid monkeys like me who are more or less at home with both print and digital). The briskness of discourse on the web and in popular culture does not afford the time to engage with big ideas. Bob talks, not without irony, about "tithing to the church of big ideas." Set aside the time to engage with world-changing ideas, willfully turn away from the screen.
The persistence of the Sunday print edition, if it comes to pass, might in some way reflect this kind of tithing, this intentional slowing down.
Posted by ben vershbow at 04:18 PM
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tags: Mediated Existence , Online , Publishing, Broadcast, and the Press , Transliteracies , internet , journalism , knight_ridder , media , news , newspaper , sunday , web
blogging and beyond
11.10.2005, 6:01 AM
Yesterday on Talking Points Memo, Josh Marshall drew back momentarily from the relentless news cycle to air a few meta thoughts on blogs and blogging, fleshing out some of the ideas behind his TPM Cafe venture (a multi-blog hub on politics and society) and his recent hiring notice for a "reporter-blogger" to cover Capitol Hill.
Marshall's ruminations tie in nicely with a meeting the institute is holding tomorrow (I'm running to the airport shortly) at our institutional digs at the University of Southern California in Los Angeles to discuss possible futures of the blogging medium, particularly in regard to the academy and the role of public intellectual. Gathering around the table for a full day of discussion will be a number of blogger-professors and doctoral students, several journalists and journalism profs, and a few interesting miscellaneous spoons to help stir the pot. We've set up a blog (very much resembling this one) as a planning stage for the meeting. Feel free to take a look and comment on the agenda and the list of participants.
The meeting is a sort of brainstorm session for a project the institute is hatching that aims to encourage academics with expert knowledge and a distinctive voice to use blogs and other internet-based vehicles to step beyond the boundaries of the academy to reach out to a broader public audience. Issues/questions/problems we hope to address include the individual voice in conflict with (or in complement to) mainstream media. How the individual voice establishes and maintains integrity on the web. How several voices could be aggregated in a way that expands both the audience and the interaction with readers without sacrificing the independence of the individual voices. Blogging as a bridge medium between the academy and the world at large. Blogging as a bridge medium between disciplines in the academy in a way that sheds holistic light on issues of importance to a larger public. And strengths and weaknesses of the blog form itself.
This last point has been on our minds a lot lately and I hope it will get amply discussed at the meeting. A year or two ago, the word "blog" didn't mean anything to most people. Now it is all but fully embraced as the medium of the web. But exciting as the change has been, it shouldn't be assumed that blogs are the ideal tool for all kinds of discourse. In fact, what's interesting about blogs right now, especially the more intellectually ambitious ones, is how much they are doing in so limiting a form. With its ruthlessly temporal structure and swift burial of anything more than 48 hours old, blogs work great for sites like TPM whose raison d'être is to comment on the news cycle, or sites like Boing Boing, Gawker, or Fark.com serving up oddities, gossip and boredom cures for the daily grind. But if, god forbid, you want ideas and discussion to unfold over time, and for writing to enjoy a more ample window of relevance, blogs are frustratingly limited.
Even Josh Marshall, a politics blogger who is served well by the form, wishes it could go deeper:
...the stories that interest me right now are a) the interconnected web of corruption scandals bubbling up out the reining Washington political machine and b) the upcoming mid-term elections.I cover a little of both. And I've particularly tried to give some overview of the Abramoff story. But I'm never able to dig deeply enough into the stories or for a sustained enough period of time or to keep track of how all the different ones fit together. That's a site I'd like to read every day -- one that pieced together these different threads of public corruption for me, showed me how the different ones fit together (Abramoff with DeLay with Rove with the shenanigans at PBS and crony-fied bureaucracies like the one Michael Brown was overseeing at FEMA) and kept tabs on how they're all playing in different congressional elections around the country.
That's a site I'd like to read because I'm never able to keep up with all of it myself. So we're going to try to create it.
I'm excited to hear from folks at tomorrow's meeting where they'd like blogging to go. I'd like to think that we're groping toward a new web genre, perhaps an extension of blogs, that is less temporal and more thematic -- where ideas, not time, are the primary organizing factor. This question of form goes hand in hand with the content question that our meeting will hopefully address: how do we get more people with big ideas and expertise to start engaging the world in a serious way through these burgeoning forms? I could say more, but I've got a plane to catch.
Posted by ben vershbow at 06:01 AM
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tags: Online , academy , blogging , blogs , internet , journalism , social_software , web
more bad news for print news
11.09.2005, 3:32 PM
These figures (scroll down) aren't pretty, but keep in mind that they convey more than a simple flight of readership. Part of it is a conscious decision by newspapers to cut out costly promotional efforts and to re-focus on core circulation. But the overall trend, and the fact that the core is likely to shrink as it grows older, can't be denied.
Things could change very suddenly if investors in the big newspaper conglomerates start demanding the sale or outright dismantling of print operations. The Los Angeles Times reported yesterday of pressure building at Knight Ridder Inc., where the more powerful shareholders, dismayed with the continued tumbling of stock values, seem to be urging things toward a reckoning, some even welcoming the idea of a hostile takeover. The Times: "...if shareholders force the sale or the dismantling of Knight Ridder, few in the newspaper industry expect the revolt to stop there."
The pre-Baby Boom generation typically subscribed to several newspapers, something that changed when the Boomers came of age. While competition with the web may be a major factor in recent upheavals, there are generational tectonics at work as well, habits formed long ago that are only now expressing themselves in the marketplace. Even if newspapers start to phase out print and focus entirely on the web, the erosion is likely to continue. It's not just the distribution model that changes, but the whole conceptual framework.
Ray, who just joined us here at the institute, was talking today about how online social networks are totally changing the way the younger generation gets its news. It's much more about the network of friends, the circulation of news from diverse sources through the collective filter, and not about your trusted daily paper. So the whole idea of a centralized news organization is shifting and perhaps dissolving.
From the L.A. Times:
Average weekday circulation of the nation's 20 biggest newspapers for the six-month period ended Sept. 30 and percentage change from a year earlier:
1. USA Today, 2,296,335, down 0.59%
2. Wall Street Journal, 2,083,660, down 1.1%
3. New York Times, 1,126,190, up 0.46%
4. Los Angeles Times, 843,432, down 3.79%
5. New York Daily News, 688,584, down 3.7%
6. Washington Post, 678,779, down 4.09%
7. New York Post, 662,681, down 1.74%
8. Chicago Tribune, 586,122, down 2.47%
9. Houston Chronicle, 521,419, down 6.01%*
10. Boston Globe, 414,225, down 8.25%
11. Arizona Republic, 411,043, down 0.54%*
12. Star-Ledger of Newark, N.J., 400,092, up 0.01%
13. San Francisco Chronicle, 391,681, down 16.4%*
14. Star Tribune of Minneapolis-St. Paul, 374,528, down 0.26%
15. Atlanta Journal-Constitution, 362,426, down 8.73%
16. Philadelphia Inquirer, 357,679, down 3.16%
17. Detroit Free Press, 341,248, down 2.18%
18. Plain Dealer, Cleveland, 339,055, down 4.46%
19. Oregonian, Portland, 333,515, down 1.24%
20. San Diego Union-Tribune, 314,279, down 6.24%
Posted by ben vershbow at 03:32 PM
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tags: Publishing, Broadcast, and the Press , Transliteracies , journalism , knight_ridder , media , news , newspaper , print
the huffington post... we're intrigued
10.21.2005, 8:18 AM
A week after the May 9 debut of The Huffington Post, Nikki Finke delivered this bitter assessment in LA Weekly:
Judging from Monday’s horrific debut of the humongously pre-hyped celebrity blog the Huffington Post, the Madonna of the mediapolitic world has undergone one reinvention too many. She has now made an online ass of herself. What her bizarre guru-cult association, 180-degree right-to-left conversion, and failed run in the California gubernatorial-recall race couldn’t accomplish, her blog has now done: She is finally played out publicly. This website venture is the sort of failure that is simply unsurvivable. Her blog is such a bomb that it’s the movie equivalent of Gigli, Ishtar and Heaven’s Gate rolled into one. In magazine terms, it’s the disastrous clone of Tina Brown’s Talk, JFK Jr.’s George or Maer Roshan’s Radar.
Finke was not alone in her prediction of disaster. And at the time, it wasn't so unreasonable to suspect Arianna Huffington's experiment with celebrity group blogging might crash and burn spectacularly (The Guardian ran a very funny satire in anticipation). But by now it's clear that not only are reports of Huffington's death greatly exaggerated, but that something of value has been created.
The site is getting a load of traffic (a million and a half a month as of September, probably significantly more by now). As expected, it is snarky, eclectic and irreverant. What's surprising is that Huffington's rolodex of 250-plus occasional bloggers has managed to fill it with serious, thoughtful discussion. Many of the biggest names have failed to make much use of their soapbox (Norman Mailer has posted twice, Ellen Degeneres only once (about horses), both at the beginning of the run). What has built the site into a popular daily destination is not the promise of star-spun wisdom, but the insight provided by the more dedicated bloggers, many of them lesser-known figures with a great deal of expertise in a given area. What you end up with is a nice mix of opinion, satire, gossip, and serious analysis of current events -- a kind of heightened public square.
In yesterday's Washington Post, against the steady hum of online intrigue about Judy "run-amok" Miller, and the sound of millions of nails being gnawed in anticipation of what hopes to be a major league indictment of Rove and/or Libby, the afore-mentioned Tina Brown observed:
For Arianna Huffington, the Miller story has been to her newly birthed blog, the Huffington Post, a miniature version of what O.J. Simpson was to cable news.
And she's right. Over this past week, something seems to have crystallized. Amidst all the head-scratching following the Times' marathon coverage of the Judith Miller imbroglio this Sunday, the bloggers, not the press, have done the better job of cutting through the fog, or at the very least, of keeping our sights on the big picture. The Huffington Post has been particularly on the ball, with Arianna leading the way.
The big picture, of course, is that we are at war. And that The New York Times -- the supposed "paper of record" -- allowed itself to become part of the propaganda campaign that put us there. It's the story of an entire news organization that, through one misguided reporter, got too "embedded" with its sources and totally lost its perspective. This is not the self-contained sort of scandal we saw with Jayson Blair. Nor is it really about some high-minded cause: the right to maintain confidentiality of sources. This is about the lies that led to war.
Unfortunately, we probably know less now about what happened with Judith Miller than we did before she delivered her mystifying testimonial on Sunday (aspens! clusters!). But the rigorous work-through the story has received around the blogosphere, and from a handful of columnists in the mainstream press, has defined the larger moral frame, keeping the democratic stakes appropriately high (hopes that the Democrats themselves might do the same will almost surely be disappointed).
In an interview with Wired last month, Huffington described what she sees as the problem with cable and online news coverage (increasingly one in the same):
The problem isn't that the stories I care about aren't being covered, it's that they aren't being covered in the obsessive way that breaks through the din of our 500-channel universe. Because those 500 channels don't mean we get 500 times the examination and investigation of worthy news stories. It often means we get the same narrow, conventional-wisdom wrap-ups repeated 500 times. Paradoxically, in these days of instant communication and 24-hour news channels, it's actually easier to miss information we might otherwise pay attention to. That's why we need stories to be covered and re-covered and re-re-covered and covered again -- until they filter up enough to become part of the cultural bloodstream.
The Judygate re-re-coverage on H. Post and throughout the blogosphere emphasizes the redefinition of the news as a two-way medium. The readers are now a major part of the process. What Huffington has done is to aggregate some of the more interesting readers.
Posted by ben vershbow at 08:18 AM
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tags: NYTimes , blogging , blogs , huffington , huffingtonpost , iraq , journalism , judith_miller , media , plamegate
speaking of aggregation, speaking of war...
10.20.2005, 8:58 PM
Speaking of aggregating blog commentary on the Judy Miller intrigue, Open Source's Monday podcast, "Getting Judith Miller" (listen), aggregates the bloggers themselves in a rigorous discussion of the "inexplicable gaps" in the Times' self-investigation, placing it in the larger context of the war, the state of journalism, and American democracy in crisis. Guests include Jay Rosen (Press Think), Ariana Huffington (Huffington Post), Josh Marshall (Talking Points Memo, TPM Cafe), and Kevin Drum (Political Animal). A great example of the kind of triangulation Bob was talking about earlier, in this case, a radio show, drawing its material and voices from the web like a hurricane pulls its fury from a warm ocean.
(Drawing from the web to discuss the world is what Open Source is all about. Highly recommended.)
Posted by ben vershbow at 08:58 PM
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tags: blogging , blogs , democracy , huffington , journalism , judith_miller , media , podcast , radio
it seems to be happening before our eyes, part 2
10.19.2005, 9:19 PM
in a guest post entitled "The Era of Omniscience is Over" on jay rosen's superb PressThink blog, Andrew Heyward, the President of CBS News acknowledges three crucial truths that need to be acknowledged:
Truth is a Plural
Yes to Point of View Journalism
News Has An Authenticity Problem
Of course these are things that practitioners and followers of the blogosphere have understood for awhile. But it's earthshaking to see a representative of such an august mainstream media organization admit them publicly. Wonder if he'll be able to shepherd any real change at CBS news?
Posted by bob stein at 09:19 PM
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tags: CBS , Publishing, Broadcast, and the Press , blogging , heyward , journalism , media
new york times links to blogs discussing miller case
10.19.2005, 7:31 AM
Take a look at this: the Times has put up a page with links to prominent posts around the blogosphere that analyze its reporting on the Judith Miller story.
Bob was thinking about this the other day:
"perhaps it would be a good thought experiment to try to come up with interesting ideas of how to organize references on the web to the judith miller situation. how would you present an overview of the references?"
Doing it themselves, I guess the Times figures it can soften the blow. Gutsier, though, would be to place the links directly alongside the article. The Washington Post does this with all its stories in a little Technorati-powered "Who's Blogging?" window.
Posted by ben vershbow at 07:31 AM
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tags: Blogosphere , Publishing, Broadcast, and the Press , blogging , blogs , journalism , judith_miller , media , ny_times
a future written in electronic ink?
10.18.2005, 8:47 AM
Discussions about the future of newspapers often allude to a moment in the Steven Spielberg film "Minority Report," set in the year 2054, in which a commuter on the train is reading something that looks like a paper copy of USA Today, but which seems to be automatically updating and rearranging its contents like a web page. This is a comforting vision for the newspaper business: reassigning the un-bottled genie of the internet to the familiar commodity of the broadsheet. But as with most science fiction, the fallacy lies in the projection of our contemporary selves into an imagined future, when in fact people and the way they read may have very much changed by the year 2054.
Being a newspaper is no fun these days. The demand for news is undiminished, but online readers (most of us now) feel entitled to a free supply. Print circulation numbers continue to plummet, while the cost of newsprint steadily rises -- it hovers right now at about $625 per metric ton (according to The Washington Post, a national U.S. paper can go through around 200,000 tons in a year).
Staffs are being cut, hiring freezes put into effect. Some newspapers (The Guardian in Britain and soon the Wall Street Journal) are changing the look and reducing the size of their print product to lure readers and cut costs. But given the rather grim forecast, some papers are beginning to ponder how other technologies might help them survive.
Last week, David Carr wrote in the Times about "an ipod for text" as a possible savior -- a popular, portable device that would reinforce the idea of the newspaper as something you have in your hand, that you take with you, thereby rationalizing a new kind of subscription delivery. This weekend, the Washington Post hinted at what that device might actually be: a flexible, paper-like screen using "e-ink" technology.
An e-ink display is essentially a laminated sheet containing a thin layer of fluid sandwiched between positive and negative electrodes. Tiny capsules of black and white pigment float in between and arrange themselves into images and text through variance in the charge (the black are negatively charged and the white positively charged). Since the display is not light-based (like the electronic screens we use today), it has an appearance closer to paper. It can be read in bright sunlight, and requires virtually no power to maintain an image.
Frank Ahrens, who wrote the Post piece, held a public online chat with Russ Wilcox, the chief exec of E Ink Corp. Wilcox predicts that large e-ink screens will be available within a year or two, opening the door for newspapers to develop an electronic product that combines web and broadsheet. Even offering the screens to subscribers for free, he calculates, would be more cost-efficient than the current paper delivery system.
A number of major newspaper conglomerates -- including The Hearst Corporation, Gannett Co. (publisher of USA Today), TOPPAN Printing Company of Japan, and France's Vivendi Universal Publishing -- are interested enough in the potential of e-ink that they have become investors.
But maybe it won't be the storied old broadsheet that people crave. A little over a month ago at a trade show in Berlin, Philips Polymer Vision presented a prototype of its new "Readius" -- a device about the size of a mobile phone with a roll-out e-ink screen. This, too, could be available soon. Like it or not, it might make more sense to watch what's developing with cell phones to get a hint of the future.
But even if electronic paper catches on -- and it seems likely that it, or something similar, will -- I wouldn't count on it to solve the problems of the print news industry. It's often tempting to think of new technologies that fundamentally change the way we operate as simply a matter of pouring old wine into new bottles. But electronic paper will be a technology for delivering the web, or even internet television -- not individual newspapers. So then how do we preserve (or transfer) all that is good about print media, about institutions like the Times and the Post, assuming that their prospects continue to worsen? The answer to that, at least for now, is written in invisible ink.
Posted by ben vershbow at 08:47 AM
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tags: Online , Publishing, Broadcast, and the Press , The Ideal Device? , book , books , computer , e-ink , ebook , eink , gadget , gadgets , interactive , internet , ipod , journalism , media , media_consumption , newspaper , paper , print , publishing , reading , readius , spielberg , technology , web
it seems to be happening before our eyes
10.17.2005, 6:50 PM
it looks like one hundred years from now history may record that 2005 was the year that big (news) media gave way to the individual voice. the intersection of the ny times/judy miller debacle with the increasing influence of the blogosphere has made us conscious of the major change taking place -- RIGHT NOW.
congressman john conyers wrote today that "I find I learn more reading Arianna, Murray Waas and Lawrence O’Donnell than the New York Times or Washington Post."
wow!
Posted by bob stein at 06:50 PM
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tags: 2005 , Blogosphere , NYTimes , Publishing, Broadcast, and the Press , blog , blogging , blogs , huffington , huffington_post , journalism , judith_miller , media , msm , new_york_times , news , newspaper , social_software
nicholas carr on "the amorality of web 2.0"
10.17.2005, 9:00 AM
Nicholas Carr, who writes about business and technology and formerly was an editor of the Harvard Business Review, has published an interesting though problematic piece on "the amorality of web 2.0". I was drawn to the piece because it seemed to be questioning the giddy optimism surrounding "web 2.0", specifically Kevin Kelly's rapturous late-summer retrospective on ten years of the world wide web, from Netscape IPO to now. While he does poke some much-needed holes in the carnival floats, Carr fails to adequately address the new media practices on their own terms and ends up bashing Wikipedia with some highly selective quotes.
Carr is skeptical that the collectivist paradigms of the web can lead to the creation of high-quality, authoritative work (encyclopedias, journalism etc.). Forced to choose, he'd take the professionals over the amateurs. But put this way it's a Hobson's choice. Flawed as it is, Wikipedia is in its infancy and is probably not going away. Whereas the future of Britannica is less sure. And it's not just amateurs that are participating in new forms of discourse (take as an example the new law faculty blog at U. Chicago). Anyway, here's Carr:
The Internet is changing the economics of creative work - or, to put it more broadly, the economics of culture - and it's doing it in a way that may well restrict rather than expand our choices. Wikipedia might be a pale shadow of the Britannica, but because it's created by amateurs rather than professionals, it's free. And free trumps quality all the time. So what happens to those poor saps who write encyclopedias for a living? They wither and die. The same thing happens when blogs and other free on-line content go up against old-fashioned newspapers and magazines. Of course the mainstream media sees the blogosphere as a competitor. It is a competitor. And, given the economics of the competition, it may well turn out to be a superior competitor. The layoffs we've recently seen at major newspapers may just be the beginning, and those layoffs should be cause not for self-satisfied snickering but for despair. Implicit in the ecstatic visions of Web 2.0 is the hegemony of the amateur. I for one can't imagine anything more frightening.
He then has a nice follow-up in which he republishes a letter from an administrator at Wikipedia, which responds to the above.
Encyclopedia Britannica is an amazing work. It's of consistent high quality, it's one of the great books in the English language and it's doomed. Brilliant but pricey has difficulty competing economically with free and apparently adequate.......So if we want a good encyclopedia in ten years, it's going to have to be a good Wikipedia. So those who care about getting a good encyclopedia are going to have to work out how to make Wikipedia better, or there won't be anything.
Let's discuss.
Posted by ben vershbow at 09:00 AM
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tags: Libraries, Search and the Web , OS , Online , Publishing, Broadcast, and the Press , Social Software , Web2.0 , amateur , blog , blogging , blogs , book , books , britannica , collective , encyclopedia , encyclopedia_britannica , internet , journalism , mainstream_media , media , msm , open_content , open_source , publishing , web , web_2.0 , wiki , wikipedia
ok — it's judy time at if:book; but i promise only future-of-the-book related comments
10.16.2005, 9:23 PM
these thoughts came immediately after reading the NY Times' sad attempt to explain how the "newspaper of record" managed to lose its integrity.
1. looks to me as if the media (ny times) has become the news and the blogging community are functioning as the real journalists. can anyone reading this blog, who has been following the judith miller situation say they didn't go to the blogosphere today to get a decent handle on how to parse what the Times just did to "cover the Judith Miller" story.
2. i want a juan cole equivalent for the judy miller story; someone who specializes in the working of behind-the-scenes washington and who knows enough about law and history to put each day's events in perpective. at the very least i want someone to present me with the ten most useful accounts on the web so that i can triangulate the problem.
3. perhaps it would be a good thought experiment to try to come up with interesting ideas of how to organize references on the web to the judith miller situation. how would you present an overview of the references?
Posted by bob stein at 09:23 PM
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tags: Blogosphere , NYTimes , Publishing, Broadcast, and the Press , blog , blogging , blogs , bush , journalism , judith_miller , judithmiller , leak , media , new_york_times , newspaper , newyorktimes , plame , rove , valerie_plame
an ipod for text
10.13.2005, 9:26 AM

When I ride the subway, I see a mix of paper and plastic. Invariably several passengers are lost in their ipods (there must be a higher ipod-per-square-meter concentration in New York than anywhere else). One or two are playing a video game of some kind. Many just sit quietly with their thoughts. A few are conversing. More than a few are reading. The subway is enormously literate. A book, a magazine, The Times, The Post, The Daily News, AM New York, Metro, or just the ads that blanket the car interior. I may spend a lot of time online at home or at work, but on the subway, out in the city, paper is going strong.
Before long, they'll be watching television on the subway too, seeing as the latest ipod now plays video. But rewind to Monday, when David Carr wrote in the NY Times about another kind of ipod -- one that would totally change the way people read newspapers. He suggests that to bounce back from these troubled times (sagging print circulation, no reliable business model for their websites), newspapers need a new gadget to appear on the market: a light-weight, highly portable device, easy on the eyes, easy on the batteries, that uploads articles from the web so you can read them anywhere. An ipod for text.
This raises an important question: is it all just a matter of the reading device? Once there are sufficient advances in display technology, and a hot new gadget to incorporate them, will we see a rapid, decisive shift away from paper toward portable electronic text, just as we have witnessed a widespread migration to digital music and digital photography? Carr points to a recent study that found that in every age bracket below 65, a majority of reading is already now done online. This is mostly desktop reading, stationary reading. But if the greater part of the population is already sold on web-based reading, perhaps it's not too techno-deterministic to suppose that an ipod-like device would in fact bring sweeping change for portable reading, at least periodicals.
But the thing is, online reading is quite different from print reading. There's a lot of hopping around, a lot of digression. Any new hardware that would seek to tempt people to convert from paper would have to be able to surf the web. With mobile web, and wireless networks spreading, people would expect nothing less (even the new Sony PSP portable gaming device has a web browser). But is there a good way to read online text when you're offline? Should we be concerned with this? Until wi-fi is ubiquitous and we're online all the time (a frightening thought), the answer is yes.
We're talking about a device that you plug into your computer that automatically pulls articles from pre-selected sources, presumably via RSS feeds. This is more or less how podcasting works. But for this to have an appeal with text, it will have to go further. What if in addition to uploading new articles in your feed list, it also pulled every document that those articles linked to, so you could click through to referenced sites just as you would if you were online?
It would be a bounded hypertext system. You could do all the hopping around you like within the cosmos of that day's feeds, and not beyond -- you would have the feeling of the network without actually being hooked in. Text does not take up a lot of hard drive space, and with the way flash memory is advancing, building a device with this capacity would not be hard to achieve. Of course, uploading link upon link could lead down an infinite paper trail. So a limit could be imposed, say, a 15-step cap -- a limit that few are likely to brush up against.
So where does the money come in? If you want an ipod for text, you're going to need an itunes for text. The "portable, bounded hypertext RSS reader" (they'd have to come up with a catchier name --the tpod, or some such techno-cuteness) would be keyed in to a subscription service. It would not be publication-specific, because then you'd have to tediously sign up with dozens of sites, and no reasonable person would do this.
So newspapers, magazines, blogs, whoever, will sign licensing agreements with the tpod folks and get their corresponding slice of the profits based on the success of their feeds. There's a site called KeepMedia that is experimenting with such a model on the web, though not with any specific device in mind (and it only includes mainstream media, no blogs). That would be the next step. Premium papers like the Times or The Washington Post might become the HBOs and Showtimes of this text-ripping scheme -- pay a little extra and you get the entire electronic edition uploaded daily to your tpod.
As for the device, well, the Sony Librie has had reasonable success in Japan and will soon be released in the States. The Librie is incredibly light and uses an "e-ink" display that is reflective like paper (i.e. it can be read in bright sunlight), and can run through 10,000 page views on four triple-A batteries.
The disadvantages: it's only black-and-white and has no internet connectivity. It also doesn't seem to be geared for pulling syndicated text. Bob brought one back from Japan. It's nice and light, and the e-ink screen is surprisingly sharp. But all in all, it's not quite there yet.
There's always the do-it-yourself approach. The Voyager Company in Japan has developed a program called T-Time (the image at the top is from their site) that helps you drag and drop text from the web into an elegant ebook format configureable for a wide range of mobile devices: phones, PDAs, ipods, handheld video games, camcorders, you name it. This demo (in Japanese, but you'll get the idea) demonstrates how it works.
Presumably, you would also read novels on your text pod. I personally would be loathe to give up paper here, unless it was a novel that had to be read electronically because it was multimedia, or networked, or something like that. But for syndicated text -- periodicals, serials, essays -- I can definitely see the appeal of this theoretical device. I think it's something people would use.
Posted by ben vershbow at 09:26 AM
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tags: Online , Publishing, Broadcast, and the Press , RSS , The Ideal Device? , apple , book , books , e-ink , e_ink , ebook , ebooks , gadget , internet , ipod , japan , journalism , librie , media , news , newspaper , paper , paperless , podcast , podcasting , print , publishing , reader , reading , sony , syndication , technology , web
news and blogs to live under one roof at yahoo!
10.11.2005, 10:19 AM
Yahoo's revamped news search will present news and blogs side by side on the same page. In addition, the site will feature related images from Flickr, the social photo-sharing site that Yahoo purchased earlier this year, as well as user-contributed links from My Web (a feature that allows you to save and store web pages, and share them with others).
As before, the front news page will promote only stories from mainstream media sources, while the blog-news combo appears on a second-tier page that you arrive at when you conduct a specific search, or click for more details or more stories. No doubt, this was done, at least in part, to mollify angry news outlets who will likely call foul for making hard news share space with blogs. Still, the webscape has changed. All but the most cursory glance at the headlines will yield a richly confusing array of mainstream and grassroots sources.
(thoughtful analysis from Tim Porter)
Posted by ben vershbow at 10:19 AM
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tags: Publishing, Broadcast, and the Press , RSS , aggregation , blog , blogging , blogs , citizen_journalism , journalism , media , msm , news , newspaper , portal , search , syndication , yahoo , yahoo!
hacking nature
10.05.2005, 7:19 AM
Slate is trying something new with its art criticism: a new "gallery" feature where each month an important artist will be discussed alongside a rich media presentation of their work.
...we're hoping to emphasize exciting new video and digital art—the kind of art that is hard to reproduce in print magazines.
For their first subject, they don't push the print envelope terribly far (just a simple slideshow), but they do draw attention to some stunning work by Canadian photographer Edward Burtynsky, who (happily for us New Yorkers) has shows coming this week to the Brooklyn Museum and the Charles Cowles Gallery in Manhattan. Burtynsky documents landscapes bearing the mark of extreme human exploitation - the infernal streams flowing from nickel mines, junked ocean liners rusting in chunks on the beach, abandoned quarries ripe with algae in their cubic trenches, and an arresting series from recent travels through China's industrial belt.
These photographs carry startling information through the image-surplussed web. But Burtynsky disappoints in one vital, perhaps deciding, respect:
...his position on the moral and political implications of his work is studiously neutral. He doesn't point fingers or call for change; instead, he accepts industry's exploitation of the land as the inevitable result of modern progress. "We have extracted from the land from the moment we stood on two feet," he said in an interview in the exhibition catalog. "The entire 20th century has been a revving up of this large consumptive engine. It's not a question of whether we are going to stop consuming. It's not going to happen…"
As someone who believes that struggling to prevent (or at least mitigate) global ecological disaster should be the transcending narrative of our times, I find Burtynsky's detachment deeply depressing and self-defeating. His images glory in the sick beauty of these ravaged scenes, and the cultural consumers that will no doubt pay large sums for these photographs at his upcoming Chelsea show only compound the cynicism.
Posted by ben vershbow at 07:19 AM
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tags: Burtynsky , Online , art , beautiful , brooklyn , china , crit , criticism , environment , exhibit , gallery , images , internet , journalism , magazine , museum , new_york , nickel , photo , photography , quarry , slate , web
human versus algorithm
09.29.2005, 3:40 PM
I just came across Common Times, a new community-generated news aggregation page, part of something called the Common Media Network, that takes the social bookmarking concept of del.icio.us and applies it specifically to news gathering. Anyone can add a story from any source to a series of sections (which seem pre-set and non-editable) arranged on a newspaper-style "front page." You add links through a bookmarklet on the links bar on your browser. Whenever you come across an article you'd like to submit, you just click the button and a page comes up where you can enter the metadata like tags and comments. Each user has a "channel" - basically a stripped-down blog - where all their links are displayed chronologically with an RSS feed, giving individuals a venue to show their chops as news curators and annotators. You can set it up so links are posted simultaneously to a del.icio.us account (there's also a Firefox extension that allows you to post stories directly from Bloglines).
Human aggregation is often more interesting than what the Google News algorithm can turn up, but it can easily mould to the biases of the community. Of course, search algorithms are developed by people, and source lists don't just manufacture themselves (Google is notoriously tight-lipped about its list of news sources). In the case of something like Common Times, a slick new web application hyped on Boing Boing and other digital culture sites, the communities can be rather self-selecting. Still, this is a very interesting experiment in multi-player annotation. When I first arrived at the front page, not yet knowing how it all worked, I was impressed by the fairly broad spread of stories. And the tag cloud to the right is an interesting little snapshot of the zeitgeist.
(via Infocult)
Posted by ben vershbow at 03:40 PM
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tags: Publishing, Broadcast, and the Press , aggregator , algorithm , bibliography , blog , blogging , bookmarking , del.icio.us , delicious , folksonomy , google , journalism , media , news , newspaper , search , socialsoftware , tag , tagging , tags
yahoo! hires finance writers
09.27.2005, 11:45 AM
Following Kevin Sites in the Hot Zone, Yahoo! takes another step in its transformation into original content provider (see Wall Street Journal - free). Though they say they have no intention of becoming a full-fledged news service.
Yahoo's move suggests increased specialization and atomization of news media on the web, as full-fledged news services find it increasingly hard to stay afloat (as the recent wave of staff cuts at major papers suggests). As newspapers agonize over how to make more money from their websites (e.g. Times Select), companies with diverse revenue bases (like the big search portals) will find it a lot easier to deliver the news. But it will be a stripped down service, heavy on features. Can the news media as public trust survive this process of atomization? Or was the idea of a public trust always a fairy tale?
Posted by ben vershbow at 11:45 AM
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tags: Publishing, Broadcast, and the Press , finance , financial , journalism , media , news , newspaper , portal , search , syndication , trust , writing , yahoo , yahoo!
excellent analysis of times select
09.26.2005, 5:49 PM
You can't fault the Times for trying to find a new business model for the web, but they seem to be doing themselves more harm than good with Times Select. Jay Rosen has a terrific post on Press Think running through various reactions to the NY Times' new subscription service that charges $49.99 per year for access to columnists, archives, and exclusive interactive features. Rosen rightly notes that the Times has gotten the idea of exclusivity all wrong:
The phrase “exclusive online accesss” advertises two different goods. The first good is the work of the Times columnists themselves. The proposition that some will pay for that is hard to prove until you try, but it’s simple to understand. The second good being advertised is exclusivity. You, the lucky TimesSelect subscriber, have access to these voices. Others do not. The value proposition there is muddled. If we prize up-to-date information about petroleum markets, we might value it more—and pay a premium—if the news is exclusively available to paying customers; but do we value Nicholas D. Kristof’s column more if he’s an “exclusive?”We don’t. In fact, it’s probably the reverse. If everyone is reading a columnist, that makes the columnist more of a must have. If “everyone” isn’t, less of a must. “Exclusive online access” attacks the perception of ubiquity that is part and parcel of a great columnist’s power. In his prime Walter Lippmann was called “the name that opened every door.” Nick Kristof’s brand of human rights journalism, which depends on the mobilization of outrage, is simply less potent if it can’t reach widely around the world, and pass by every door.
The Wall Street Journal is an exclusive paper, so offering it over the web as a pay subscription service actually increases its cachet. The Times is a different sort of paper - it has a general audience and is read the world over. Its ubiquity, its availability over the web, is part of its identity.
Moroever, the Times is seriously overvaluing its columnists, or worse, de-valuing them by placing them behind a pay wall. If I were Tierney, or Kristof or Dowd, I would be furious. It makes them look like preened show dogs when everyone else is duking it out in the commons for all to read. Seems like a one-way ticket to irrelevance. Plus, soon they're going to have to take part in all sorts of online chats and seminars with Select subscribers - I bet they'll really start to chafe then.
The archive access is certainly tempting, though over-priced. Still, that seems a better starting point for a paperless subscription model, though it's hard to imagine archives alone finding a mass paying audience.
Posted by ben vershbow at 05:49 PM
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tags: NYTimes , Publishing, Broadcast, and the Press , journalism , media , newspaper , newyorktimes , opinion , press , times_select , timesselect
more shrinking newsrooms: "the perennial gale of creative destruction"
09.26.2005, 11:34 AM
"Mercury News plans to shrink newsroom by 52 jobs":
The newspaper whose newsroom topped 400 people at the height of the dot-com economic boom in Silicon Valley could not avoid downsizing to reflect a local economy that never recovered. But the larger problem...is that the stock market offers no slack to news organizations in less profitable years.......Two weeks ago, the publicly traded Knight Ridder, the nation's second-largest newspaper chain, announced that earnings per share would fall 20%, which it attributed to higher paper costs and health insurance premiums.
Joseph A. Schumpeter, Capitalism, Socialism and Democracy:
The opening up of new markets, foreign or domestic, and the organizational development from the craft shop and factory to such concerns as U.S. Steel illustrate the same process of industrial mutation–if I may use that biological term–that incessantly revolutionizes the economic structure from within, incessantly destroying the old one, incessantly creating a new one. This process of Creative Destruction is the essential fact about capitalism. It is what capitalism consists in and what every capitalist concern has got to live in....Every piece of business strategy acquires its true significance only against the background of that process and within the situation created by it. It must be seen in its role in the perennial gale of creative destruction; it cannot be understood irrespective of it or, in fact, on the hypothesis that there is a perennial lull....
Posted by ben vershbow at 11:34 AM
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tags: Publishing, Broadcast, and the Press , california , capitalism , culture , economy , journalism , journalist , knightridder , media , mercurynews , news , newspaper , newsroom , press , sanjose
new york times and several philly papers cutting staff
09.22.2005, 4:32 PM
"Times Company Announces 500 Job Cuts"
"Philly Newspapers Announce 100 Job Cuts"
From an internal email sent by Bill Keller (NY Times Executive Editor) breaking the bad news (leaked to Gawker):
I won’t pretend that it will be painless. Between the buyouts earlier this summer and the demands placed on us by the IHT and the Website - not to mention the heroic commitment we’ve made to covering the aftermath of Katrina we don’t have a lot of slack. Like the rest of you, I found the recent spate of retirement parties more saddening than celebratory, both for the obvious personal reasons and because they represented a sapping of our collective wisdom and experience. Throughout these lean years you have worked your hearts out to perform our daily miracle, and I wish I could tell you relief was in sight.
Bob Cauthorn comments on Rebuilding Media about newspapers on the precipice:
The pro-industry spin will talk about combining web-site and print readers, which is disingenuous in exactly 1,465 ways. For example, does someone from Islamabad dipping in for one story on your web site have equal value as a seven-day-a- week local print subscriber?......The notion of platform shift -- people moving from print to web just, you know, because -- is a comfort to the media establishment as it suggests people still really, really, really love their product, they're just selecting a different distribution mechanism.
Nonsense. The platform shift doctrine is a dangerous -- and for some media companies, ultimately fatal -- illusion that blinds the industry to necessary changes in the core product. Platform shift is the argument for the status quo: We don't have to do anything different.
Speaking of not doing anything different, the Wall Street Journal ran this story about magazines experimenting with "digital editions": "electronic versions of their publications that replicate every page of the print edition down to the table of contents and the ads."
Cauthorn goes on about possibly breathing new life into print:
If newspapers fix their print products circulation will grow -- change format, revive local coverage, alter the hierarchical approach to the news, open the ears of the newsrooms and get reporters back on the street where they belong. If you want to get really daring, re-imagine print newspapers as a three-day a week product rather than as a seven-day a week product.As a practical matter, print newspapers only make money three days a week anyway. Imagine the interplay between a seven day a week digital product and a densely focused (and wildly profitable) three-day a week print product. Each doing different things. Each serving readers and advertisers in different ways.
The Guardian has just totally revamped its print identity, abandoning the broadsheet for the more petite Berliner format and adopting a slicker style. It'll be worth watching whether this catches on. New packaging might make newspapers cuter, but not necessarily better.
Posted by ben vershbow at 04:32 PM
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tags: NYTimes , Online , Publishing, Broadcast, and the Press , billkeller , digital , interent , journalism , knightridder , magazine , media , news , newspaper , newyorktimes , paperless , philadelphia , press , print , publishing , web
uh oh
09.12.2005, 6:13 PM
It's really happening. Next Monday, The New York Times will inaugurate its "Times Select" subscription service. NYTimes.com will remain free, with much of the usual content still available (including multimedia), but op-eds and columnists will be pay-only. Oh well, the Washington Post opinion page is better anyway. The 100-article-per-month archive access is slightly tempting though.
The Times is betting that significant numbers of readers will shell out, just like they do for a premium channel on cable. Can the Times be the HBO of web news? Casual reader poll: who's thinking of paying?
(link: Letter From the Editor explaining the new service to readers)
Posted by ben vershbow at 06:13 PM
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tags: HBO , NYTimes , Online , Publishing, Broadcast, and the Press , internet , journalism , media , news , newspaper , newyork , newyorktimes , subscription , times , timesselect , web
yahoo! experiments with multimedia journalism
09.12.2005, 10:36 AM
Yahoo! has enlisted tele-journalist and blogger Kevin Sites to produce a one-year web program chronicling the world's conflict zones in multimedia format.
Sites has become known for his jaunts as a "solo journalist," trundling from hot spot to hot spot with a backpack full of gadgetry, beaming reports from his one-man broadcast station. It's a formula that is tailor-made for the web. Clearly, Yahoo! was paying attention. The NY Times reports on "Kevin Sites In the Hot Zone":
As he travels to these places, Mr. Sites will write a 600- to 800-word dispatch each day and produce a slide show of 5 to 10 digital photographs. He will also narrate audio travelogues. There will be several forms of video - relatively unedited footage posted several times a week, and once a week, a more traditional video report, edited in the style of a network news broadcast.Mr. Sites will also be the host of regular online chats with Yahoo users who will be able to post comments on message boards. And he will post quick text messages on the site updating his activities throughout the day.
Counting on war and carnage as a surefire crowd draw, Yahoo! makes a rather tawdry entrance into independent journalism. But this is a very significant move nonetheless, evidence that Yahoo! is evolving into a full-fledged media company, and suggesting that the one-man-band approach to journalism and webcast might become a regular thing. If the Sites show finds an audience, they should try out serious investigative reporting or medium-length documentary.
Posted by ben vershbow at 10:36 AM
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recommended podcast: "information as news"
09.08.2005, 5:57 PM
Katrina blew through the news business just as furiously as it tore through the Gulf Coast. For a good discussion of this, I highly recommend last night's podcast of Open Source, a great new program on public radio that is of, by and through the web, generating story ideas and discussion on its blog. The show operates in an exciting border zone, dealing with general interest stories while always keeping an eye on the changing communication practices that are affecting/chanelling them. Last night's show - "Craigslist and Nola.com: Information as News" - deals with citizen coverage of Katrina and the big changes underfoot for professional journalism.
Host Christopher Lydon speaks, with the breathless excitement of a man watching his profession change before his eyes, about "changing terms of authority in the news business" after Hurricane Katrina. He has on as guests Craig Newmark of craigslist (New Orleans site), nola.com editor Jon Donley, and media critic/blogger/citizen journalism guru Jeff Jarvis. From the intro:<






