Listing entries tagged with iraq

milblogs on veteran's day   11.11.2005, 2:20 PM

Thought it would be appropriate today to talk about what's going on with military blogging. Last August, John Hockenberry explored the world of war blogging (or milblogging) at length in a Wired article, The Blogs of War. Hockenberry noted that war bloggers are not just recording events — rather, "they engage in the 21st-century contact sport called punditry, and like their civilian counterparts, follow few rules of engagement. They mobilize sympathizers to ship body armor to reserve units in combat, raise funds for families of wounded soldiers, deliver shoes to barefoot Afghani kids, and even take aim at media big shots." He also drew a connection between the influence and prominence of milblogs and the few restrictions imposed on them by the military: what's radical about milblogs is that "anyone can publicly post a dispatch, and if the Pentagon reads these accounts at all, it's at the same time as the rest of us." Still, Hockenberry added, even the bloggers themselves were feeling like the freedom they enjoyed wouldn't last.

How right he was. Only a week after the article ran, the Army issued a memo to all personnel saying they were going to crack down on the milbloggers. It's probably not a stretch to imagine that the Wired piece and a similar article in the Washington Post caught the eye of someone in the Public Relations office. According to an NPR story on the topic, some soldiers felt like the crackdown had a less to do with security than with the fact that some military bloggers were becoming increasingly sour about the war. Since the new regulations were released in October, several influential milblogs have been "vanished" from the web by the Army. One notable recent example is Daniel Goetz's All The King's Horses, a eloquently written blog by a patriotic but disenchanted soldier in Iraq. Goetz's final post, on October 22, was a creepily Orwellian retraction (literally, since he titled it Double Plus Ungood) of what he'd been blogging in his final weeks:

"For the record, I am officially a supporter of the administration and of her policies. I am a proponent for the war against terror and I believe in the mission in Iraq...Furthermore, I have the utmost confidence in the leadership of my chain of command, including (but not limited to) the president George Bush and the honorable secretary of defense Rumsfeld. If I have ever written anything on this site or on others that lead the reader to believe otherwise, please consider this a full and complete retraction. I apologize for any misunderstandings that might understandably arise from this. Should you continue to have questions, please feel free to contact me through e-mail. I promise to respond personally to each, but it may take some time; my internet access has become restricted."

There's been a great deal of discussion of David's fate in the blogosphere. Daniel's girlfriend, who has been blogging herself in Daniel's absence, posted his entired deleted blog on her own site.

Posted by lisa lynch at 02:20 PM | Comments (3)
tags: army , blogging , blogs , bush , iraq , military , rumsfeld , terror , veterans_day

the huffington post... we're intrigued   10.21.2005, 8:18 AM

A week after the May 9 debut of The Huffington Post, Nikki Finke delivered this bitter assessment in LA Weekly:

Judging from Monday’s horrific debut of the humongously pre-hyped celebrity blog the Huffington Post, the Madonna of the mediapolitic world has undergone one reinvention too many. She has now made an online ass of herself. What her bizarre guru-cult association, 180-degree right-to-left conversion, and failed run in the California gubernatorial-recall race couldn’t accomplish, her blog has now done: She is finally played out publicly. This website venture is the sort of failure that is simply unsurvivable. Her blog is such a bomb that it’s the movie equivalent of Gigli, Ishtar and Heaven’s Gate rolled into one. In magazine terms, it’s the disastrous clone of Tina Brown’s Talk, JFK Jr.’s George or Maer Roshan’s Radar.

Finke was not alone in her prediction of disaster. And at the time, it wasn't so unreasonable to suspect Arianna Huffington's experiment with celebrity group blogging might crash and burn spectacularly (The Guardian ran a very funny satire in anticipation). But by now it's clear that not only are reports of Huffington's death greatly exaggerated, but that something of value has been created.

The site is getting a load of traffic (a million and a half a month as of September, probably significantly more by now). As expected, it is snarky, eclectic and irreverant. What's surprising is that Huffington's rolodex of 250-plus occasional bloggers has managed to fill it with serious, thoughtful discussion. Many of the biggest names have failed to make much use of their soapbox (Norman Mailer has posted twice, Ellen Degeneres only once (about horses), both at the beginning of the run). What has built the site into a popular daily destination is not the promise of star-spun wisdom, but the insight provided by the more dedicated bloggers, many of them lesser-known figures with a great deal of expertise in a given area. What you end up with is a nice mix of opinion, satire, gossip, and serious analysis of current events -- a kind of heightened public square.

In yesterday's Washington Post, against the steady hum of online intrigue about Judy "run-amok" Miller, and the sound of millions of nails being gnawed in anticipation of what hopes to be a major league indictment of Rove and/or Libby, the afore-mentioned Tina Brown observed:

For Arianna Huffington, the Miller story has been to her newly birthed blog, the Huffington Post, a miniature version of what O.J. Simpson was to cable news.

And she's right. Over this past week, something seems to have crystallized. Amidst all the head-scratching following the Times' marathon coverage of the Judith Miller imbroglio this Sunday, the bloggers, not the press, have done the better job of cutting through the fog, or at the very least, of keeping our sights on the big picture. The Huffington Post has been particularly on the ball, with Arianna leading the way.

The big picture, of course, is that we are at war. And that The New York Times -- the supposed "paper of record" -- allowed itself to become part of the propaganda campaign that put us there. It's the story of an entire news organization that, through one misguided reporter, got too "embedded" with its sources and totally lost its perspective. This is not the self-contained sort of scandal we saw with Jayson Blair. Nor is it really about some high-minded cause: the right to maintain confidentiality of sources. This is about the lies that led to war.

Unfortunately, we probably know less now about what happened with Judith Miller than we did before she delivered her mystifying testimonial on Sunday (aspens! clusters!). But the rigorous work-through the story has received around the blogosphere, and from a handful of columnists in the mainstream press, has defined the larger moral frame, keeping the democratic stakes appropriately high (hopes that the Democrats themselves might do the same will almost surely be disappointed).

In an interview with Wired last month, Huffington described what she sees as the problem with cable and online news coverage (increasingly one in the same):

The problem isn't that the stories I care about aren't being covered, it's that they aren't being covered in the obsessive way that breaks through the din of our 500-channel universe. Because those 500 channels don't mean we get 500 times the examination and investigation of worthy news stories. It often means we get the same narrow, conventional-wisdom wrap-ups repeated 500 times. Paradoxically, in these days of instant communication and 24-hour news channels, it's actually easier to miss information we might otherwise pay attention to. That's why we need stories to be covered and re-covered and re-re-covered and covered again -- until they filter up enough to become part of the cultural bloodstream.

The Judygate re-re-coverage on H. Post and throughout the blogosphere emphasizes the redefinition of the news as a two-way medium. The readers are now a major part of the process. What Huffington has done is to aggregate some of the more interesting readers.

Posted by ben vershbow at 08:18 AM | Comments (0)
tags: NYTimes , blogging , blogs , huffington , huffingtonpost , iraq , journalism , judith_miller , media , plamegate

pinter and the nobel prize   10.13.2005, 5:08 PM

Twice in one year now the Swedish academy has used the Nobel Prize as a political swipe at the Bush administration, first giving the peace medal to Mohamed ElBaradei of the IAEA (a difference of opinion on disarmament, you could say), and today awarding the prize for literature to British playwright Harold Pinter, who in recent years has been a vocal critic of US and British policies, once referring to Tony Blair as a "deluded idiot."

But recent years aside, Pinter undoubtedly deserves the prize for his life's work in the theatre, where he developed a politics far more complex, painful and profound than what is on display in his latter-day fumings (generally right though they may be) about American empire.

In college I acted in one of Pinter's later plays, Ashes to Ashes (1996), a mysterious single act about a marriage in crisis, and a good example of the kind of frightening moral puzzle, encompassing the personal and the political, that Pinter excelled at creating. In a comfortable English living room, in a comfortable English university town, a woman seems to psychically rupture before her husband's eyes, traumatized by events she relates only in part, and which she could not possibly have been alive to experience.

She confesses to having had an affair with the warden of a Nazi death camp, and having lived with him there. She describes the horror of the place, obscenely channeling the Holocaust as a sort of sexual taunt toward her mystified husband, but at the same time communicating her distress at the slow suffocation of their marriage. It is a sickening game, but one they must play in order to cut to the heart of their relationship. Ashes to Ashes is a domestic play, but somehow the entire century speaks through it.

On a more general note, it's encouraging to see a dramatist get recognized on this scale, a statement about the continued relevance, at least in concept, of the theatre -- an unmediated medium in a thoroughly mediated age. It also says something about language. Pinter, whose bleak but darkly humorous sensibilities were formed in bombed-out, post-WWII England, uses language sparely and with scalpel-like precision. Playwright David Hare said of him:

"Pinter did what Auden said a poet should do. He cleaned the gutters of the English language, so that it ever afterwards flowed more easily and more cleanly."

His plays have the ominousness of still water, the words like stones breaking the surface. You have to read and feel the ripples. In an age where mass media, and now the internet, have devalued words, Pinter found a way to make them startling again. He also understands the power of silence.

Elevating Pinter as international spokesman for the left, the Swedes missed the point. His recent protests haven't been terribly interesting or original. But in missing, they still struck gold. All this media attention cannot really convey the power of his plays. Hopefully, this will lead to a reinvigorated interest in producing them. They still speak vitally to our times.

Posted by ben vershbow at 05:08 PM | Comments (2)
tags: afghanistan , america , books , britain , bush , drama , empire , english , harold_pinter , iraq , language , literature , nobel , nobel_prize , nobelprize , pinter , politics , theater , theatre