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<item rdf:about="http://www.futureofthebook.org/blog/archives/2011/08/mobility_shifts_conference.html">
<title>Mobility Shifts Conference at The New School</title>
<link>http://www.futureofthebook.org/blog/archives/2011/08/mobility_shifts_conference.html</link>
<description><![CDATA[<p><strong>I think this is going to be a terrific conference</strong></a>.</p>

<p></p>

<p><a href="http://mobilityshifts.org/">MobilityShifts: An International Future of Learning Summit<br />
</a>The New School in NYC<br />
October 10-16, 2011</p>

<p>The New School presents the second event in its Politics of Digital<br />
Culture conference series "MobilityShifts: An International Future of<br />
Learning Summit." Comprised of a conference, hands-on workshops, project<br />
demonstrations, exhibitions and a theater performance featuring youth<br />
and educators from New York City and Chicago, MobilityShifts is a<br />
week-long summit in October 2011. MobilityShifts makes unexpected<br />
international connections between the theories of Jacques Rancière and<br />
Ivan Illich, learning projects outside the bounds of schools and<br />
universities, mobile platforms, and the Open Web. Stop, reflect, listen,<br />
discuss, and build with artists, media scholars, policy makers,<br />
students, technologists, teachers, librarians, legal scholars and<br />
learning activists from 21 countries.</p>

<p><a href="http://mobilityshifts.org/conference/program/">http://mobilityshifts.org/conference/program/</a></p>

<p>REGISTRATION<br />
To attend MobilityShifts you must register.<br />
The early bird rate ends on September 15th.<br />
<a href="http://www.mobilityshifts.org/register1">http://www.mobilityshifts.org/register1</a></p>

<p><br />
Participants include: Eduardo Ochoa, Hal Plotkin, Cathy Davidson,<br />
Michael Wesch, Oliver Grau,  Mimi Ito, Henry Jenkins, Anya Kamenetz,<br />
Geert Lovink, Shin Mizukoshi, John Palfrey, Irit Rogoff, Juliana Rotich,<br />
Benjamin Bratton, Katie Salen, Shveta Sarda, Molly Steenson, Elizabeth<br />
Losh, Tony Conrad, Lev Manovich, Torsten Meyer, Jan Schmidt, Tomi<br />
Ahonen, Beth Coleman, John Willinsky, Siva Vaidhyanathan, Alexander<br />
Halavais, Giselle Beiguelman, David Carroll, Tania Bustos, Kate<br />
Crawford, Chris Csikszentmihalyi, Sean Dockray, Rolf Hapel, Juan Manuel<br />
Lopez Garduno, Daria Ng, Chris Lawrence, Josie Fraser, David Theo<br />
Goldberg, Marisa Jahn, Sam Gregory, Shravan Goli, Manu Kapur, Edward<br />
Keller, Eric Kluitenberg, Jairo Moreno, Michael Pettinger, Michael<br />
Preston, Daniela Rosner, Richard Scullin, Ramon Sanguesa, Elaine Savory,<br />
Luis Camnitzer, Nishant Shah, Janek Sowa, Dan Visel, Nitin Sawhney and<br />
many others.</p>

<p>Summit Chair<br />
Trebor Scholz</p>

<p>Co-Chairs: Edward Keller, Elizabeth Losh, Matthew K. Gold, David Theo<br />
Goldberg , Karen DeMoss, Sean Dockray<br />
Producer: Jennifer Conley Darling<br />
Associate Producers: Caroline Buck, Liz Carlson</p>

<p>Selected workshops: <a href="http://mobilityshifts.org/workshops/">http://mobilityshifts.org/workshops/</a><br />
(Workshops require an additional reservation at no extra cost).</p>

<p>This summit builds on two previous events: Mozilla's Drumbeat Festival<br />
in Barcelona (2010) and Digital Media and Learning in Los Angeles<br />
(2011). MobilityShifts is sponsored by The John D. & Catherine T.<br />
MacArthur Foundation, The New School and the Mozilla Foundation. We<br />
gratefully acknowledge our partners: American University of Paris,<br />
Carnegie Mellon University, Eyebeam Art & Technology Center,<br />
Goethe-Institut, HASTAC, Japan Society, MetaMute, Prezi, School of the<br />
Art Institute of Chicago, SocialText, UC San Diego's Sixth College, and<br />
University of Pennsylvania.</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2011-08-30T00:02:54-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2011/07/in_honor_of_the_centenary_of_m.html">
<title>in honor of the centenary of marshall mcluhan&apos;s birth</title>
<link>http://www.futureofthebook.org/blog/archives/2011/07/in_honor_of_the_centenary_of_m.html</link>
<description><![CDATA[<p>Here are three short clips. And there's a ton more at this wonderful site, <a href="http://marshallmcluhanspeaks.com/electric-age/">Mcluhan Speaks</a></p>

<p><br />
1960: "We're just trying to fit the old things into the new form."</p>

<p><iframe src="http://player.vimeo.com/video/26715900?title=0&amp;byline=0&amp;portrait=0&amp;autoplay=1" width="398" height="299" frameborder="0"></iframe></p>

<p><br />
1968: "There's no longer any gap between the campus and wall street"</p>

<p><iframe src="http://player.vimeo.com/video/26716096?title=0&amp;byline=0&amp;portrait=0&amp;autoplay=1" width="398" height="299" frameborder="0"></iframe></p>

<p><br />
1977: "Another strange effect of this electric environment is the total absence of secrecy"</p>

<p><iframe src="http://player.vimeo.com/video/26716621?title=0&amp;byline=0&amp;portrait=0&amp;autoplay=1" width="398" height="299" frameborder="0"></iframe></p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2011-07-21T09:52:07-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2011/07/an_observer_worth_paying_atten.html">
<title>an observer worth paying attention to</title>
<link>http://www.futureofthebook.org/blog/archives/2011/07/an_observer_worth_paying_atten.html</link>
<description><![CDATA[<p><br />James Bridle continues to be one of the most interesting observer/bloggers about books -- both print and not</p>

<p><a href="http://booktwo.org/notebook/items-received-by-post/">http://booktwo.org/notebook/items-received-by-post/</a></p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2011-07-19T14:37:25-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2011/05/add_this_to_the_list_of_future.html">
<title>add this to the list of future(s) of the book</title>
<link>http://www.futureofthebook.org/blog/archives/2011/05/add_this_to_the_list_of_future.html</link>
<description><![CDATA[<p>The Book Xylophone</p>

<p><iframe width="425" height="349" src="http://www.youtube.com/embed/VZrnjevlx4g" frameborder="0" allowfullscreen></iframe></p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2011-05-08T16:40:23-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2011/04/idpf_meeting_in_may.html">
<title>IDPF meeting in may</title>
<link>http://www.futureofthebook.org/blog/archives/2011/04/idpf_meeting_in_may.html</link>
<description><![CDATA[<p>Bill McCoy has assembled a mouth-watering schedule of the International Digital Publishing Forum IDPF meeting on 23-24 May during Book Expo in New York. registration info and full program at <a href="http://idpf.org/digitalbook2011">http://idpf.org/digitalbook2011</a>.</p>

<p>The program includes a special keynote from multiple Hugo and Nebula award-winning best-selling science-fiction authors Neal Stephenson and Greg Bear, who will discuss their experience with The Mongoliad, a ground-breaking project in direct-to-consumer and community-augmented online serial publishing.</p>

<p>Confirmed speakers and session topics include:</p>

<p>"The Year of the eBook" - Abe Murray, Google; Yoshinobu Noma, Kodansha</p>

<p>"Publishers Roundtable" - Dominique Raccah, Sourcebooks; Richard Nash, Cursor/Red Lemonade (formerly of Soft Skull Press)</p>

<p>"Special Keynote: The Mongoliad, Year One - a ground-breaking investigation into the future of publishing" - Neal Stephenson and Greg Bear, Subutai Corporation</p>

<p>"Creating Highly Accessible Interactive Content" - Liza Daly, Threepress Consulting</p>

<p>"International Market Opportunities" - Cristina Mussinelli, Italian Publishers Association; <br />
Ronald Schild, MVB Marketing/German Book Publishers Association</p>

<p>"EPUB 3 First Look" - Bill McCoy, International Digital Publishing Forum</p>

<p>"Update on eReading Devices & Apps" - Mary Tripsas, Harvard Business School; Allen Weiner, Gartner; Mitch Weisberg, Sawyer Business School</p>

<p>"Transforming the Business of Publishing"- Lisa McCloy-Kelley, Random House; Ken Brooks, Cengage Learning; Bob Young, Lulu.com</p>

<p>"Breakthrough Business Models" - Theresa Horner, Barnes and Noble; Justo Hidalgo, 24symbols; TJ Waters, Autography</p>

<p>"Metadata Boot Camp" - Bill Kasdorf, Apex; Mark Bide, Editeur; Beat Barian, Bowker</p>

<p>"Lending of Digital Books" - Peter Brantley, Internet Archive, Erica Lazzaro, OverDrive</p>

<p>"Wrangling the Backlist" - Jonathan Hevenstone and Herve Essa, Jouve Group; Sririam Panchanathan, Aptara</p>

<p>"The Future of Digital Reading and the Business of Digital Publishing" - Masaaki Hagino, Voyager Japan, Inc.; Brad Inman, Vook; Peter Balis, John Wiley</p>

<p>"eBook Production Jumpstart" - Josh Tallent, eBook Architects</p>

<p>"Distribution Update" - Andrew Weinstein, Ingram; Bob Nelson, Baker & Taylor</p>

<p>"The Future of EPUB" - George Conboy, Google; Markus Gylling, DAISY Consortium</p>

<p>"Book Industry Study Group Consumer Research Findings" - Steve Paxhia, Beacon Hill Strategic Services</p>

<p>"Social/Direct Marketing: Case Studies from Publishers and Authors" - Malle Vallik, Harlequin Enterprises, Ltd; Sol Rosenberg, Copia</p>

<p>IDPF Digital Book 2011 is being sponsored by industry giants like Adobe, Aptara, Baker and Taylor, Book Business, Ingram, Innodata Isogen, OverDrive, LibreDigital, MeeGenius, Publishers Weekly and SPi Global.</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2011-04-28T10:20:09-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2011/04/persistence_a_rich-media_ficti.html">
<title>Persistence: A Rich-Media Fiction</title>
<link>http://www.futureofthebook.org/blog/archives/2011/04/persistence_a_rich-media_ficti.html</link>
<description><![CDATA[<p>Eric Kraft is a wonderful writer with a penchant for exploring new ways to express ideas. He's just announced a new project on KickStarter where he's trying to raise some funds. Here's the video intro. There's quite a bit <a href="http://www.kickstarter.com/projects/868381914/persistence-a-rich-media-fiction">more detail</a> on the KickStarter site.  </p>

<p><iframe frameborder="0" height="410px" src="http://www.kickstarter.com/projects/868381914/persistence-a-rich-media-fiction/widget/video.html" width="480px"></iframe></p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2011-04-09T12:29:12-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2011/03/shift_happened.html">
<title>shift happened</title>
<link>http://www.futureofthebook.org/blog/archives/2011/03/shift_happened.html</link>
<description><![CDATA[<p>I do my reading almost exclusively on screen. I've got a kindle, an ipad, an iphone, a blackberry, and a laptop, but this weekend, I did something radical and old school, I checked a big thick book out of the library and attempted to read it.</p>

<p>This is going to sound incredibly lazy, like someone who gets in their car to drive a few blocks rather than walk, but the physicality of the book, having to hold it open then lift and turn each page, was a lot more exhausting than I remembered. All of that holding and lifting and turning distracted me from the act of reading, took me out of the story if you will. A few pages into it I gave up, logged in to Amazon, and bought the Kindle book.</p>

<p>Like many people, I've romanticized the feeling of paper books, so I was surprised at how easily I spurned the one used to love. I've been watching the evolution of reading devices for the last seven years, but it was the experience I had with this library book that made me realize that the shift is no longer <em>about</em> to take place, it <em>has</em> taken place. Other readers are switching allegiance from paper to screen as quickly and irreversibly as I did. What does this mean for the publishing industry? For bookstores? For libraries? How will they reinvent themselves to attract screen-smitten readers?</p>]]></description>
<dc:subject>e-books</dc:subject>
<dc:creator>kim white</dc:creator>
<dc:date>2011-03-23T23:44:35-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2011/02/read_in_order_to_live.html">
<title>read in order to live</title>
<link>http://www.futureofthebook.org/blog/archives/2011/02/read_in_order_to_live.html</link>
<description><![CDATA[<p>My 88 year-old mother, an avid reader, said that the last seven books she's read were in the Kindle reader on her iPad.  When asked what she likes most about e-reading, she answered . . .  a) being able to read in the dark so as not to disturb my father and, b) the online dictionary which she uses extensively.</p>

<p>And then my mother's fortune cookie said "Read in order to Live"</p>

<p><br />
</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2011-02-23T22:48:42-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2011/02/the_future_of_marginalia_is_br.html">
<title>the future of marginalia is bright (not dim)</title>
<link>http://www.futureofthebook.org/blog/archives/2011/02/the_future_of_marginalia_is_br.html</link>
<description><![CDATA[<p>The New York Times hit a hot-button with yesterday's <a href="http://www.nytimes.com/2011/02/21/books/21margin.html?_r=2">article</a> on the "dim future" for marginalia as books go electronic.  As you might imagine, I think marginalia is alive and well in the digital era.  If you haven't seen it yet, check out the <a href="http://thegoldennotebook.org/book/p376/">complex discussion</a> conducted by seven women over the course of six weeks in the margin of Doris Lessing's <em>The Golden Notebook</em>. </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2011-02-22T16:27:10-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2010/12/wikileaks_as_a_harbinger_of_st.html">
<title>wikileaks as a harbinger of strange times</title>
<link>http://www.futureofthebook.org/blog/archives/2010/12/wikileaks_as_a_harbinger_of_st.html</link>
<description><![CDATA[<p>Wikileaks is turning out to be a profoundly interesting phenomenon. The questions it raises about communication in the age of the internet, particularly in the context of an ever-weakening U.S. empire, are so new and so complex that people and organizations who normally don't have too much difficulty figuring out what side of a problem they are on, are scrambling for purchase on unsure ground.</p>

<p>Geert Lovink and Patrice Riemens' <a href="http://networkcultures.org/wpmu/geert/2010/12/07/twelve-theses-on-wikileaks-with-patrice-riemens/">Twelve Theses on Wikileaks</a> is one of the more thoughtful pieces I've read so far.</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2010-12-10T12:01:04-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2010/12/a_defense_of_pagination.html">
<title>a defense of pagination</title>
<link>http://www.futureofthebook.org/blog/archives/2010/12/a_defense_of_pagination.html</link>
<description><![CDATA[<p>Joseph Pearson of Inventive Labs, the developer of <a href="http://monocle.inventivelabs.com.au/">Monocle Reader</a> and <a href="http://booki.sh/">Booki.sh </a>recently wrote an eloquent explanation of why we should bother to maintain some form of pagination even in the digital era. [this originally appeared on the private Read 2.0 list serve, re-posted here with permission.]</p>

<p>I'm perplexed by the suggestion that we chose pagination "for the sake of tradition", since pagination is the one and only difficult problem with building a browser-based reader. It's actually the only thing Monocle does, and I didn't waste this year doing it without reflecting on it.</p>

<p>I'm delighted by the proposal that someone should build a serious scrolling browser-based reader, because I'll have somewhere to send people who ask this question. And I'm greatly amused by the idea that we should inplement both modes and make it the reader's choice -- as if a responsible software designer COULD actually shrug their shoulders and say "Damned if I know, you decide."</p>

<p>The software designer has to make the call -- has to ask: "what is the best way to read content with these characteristics?" I've spent a lot of time thinking about it. Back in March I wrote up some notes on it, but didn't publish them. I've pasted them below.</p>

<p>Nb: Monocle has a scrolling mode for "legacy browsers" that attempts to get around the problems with scrolling described here. Open a Booki.sh book in a recent Opera to see it. I've been told it "sucks" (thanks Blaine!), which is probably true.</p>

<p>-----</p>

<p>I love it when old user interface metaphors, veterans of a pre-digital era, comfort food for the catastrophe, are suddenly usurped by a better mode, one that takes advantage of all the opportunities of a free graphical user interface, one that really has no necessary real-world analogy. I love it because it proves our readiness for the world that confronts us, and I secretly love it because [December: some line about old people redacted].</p>

<p>So pagination of text is a big bold target, right in front of us. On the surface of things, dividing text into pages chains us to an old and unnecessary constraint: the dimensions of a printed page.</p>

<p>I agree with that -- to an extent. But the obvious answer to it (one that now also has a long history) has some problems. This answer says that I'm going to give you an infinite y-plane (at least), which you will move up and down through by scrolling, dragging or more recently flicking.</p>

<p>Let's put it under the umbrella term 'scrollable'. Scrollable content works very well for two or three screenfuls of content, because it lets you adjust, pixel by pixel or line by line, to your changing context. You can say "I want this thing on the screen, and this nearby thing on the screen at the same time", which is often useful -- particularly if the content has varied elements like buttons and links and images as well as text. That is to say, scrollable content generally works very well for web pages.</p>

<p>But for anything of real length, it is seriously hard work. It's important to realise what you're doing when you're scrolling. You're gazing at the line you were reading as you draw it up the screen, to near the top. When it gets to the top, you can continue reading. You do this very quickly, so it doesn't really register as hard work. Except that it changes your behaviour -- because a misfire sucks. A misfire occurs when you scroll too far too rapidly, and the line you were reading disappears off the top of the screen. In this case, you have to scroll in the other direction and try to recognise your line -- but how well do you remember it? Not necessarily by sight, so immediately you have to start reading again, just to find where you were.</p>

<p>If that doesn't sound familiar, it's because you've been burnt by it a few times, and have long ago adjusted your behaviour. Instead what you do is scroll so that the line you're reading is higher up, but still nowhere near the top, so that a misfire can't occur. You almost never scroll a screenful at a time -- typically you scroll clusters of five to fifteen lines. But what's the outcome of this? You're doing a whole lot more work, interacting far more often than for a simple page turn.</p>

<p>With zoomable touch interfaces, like MobileSafari, this has a bigger impact, because every time you scroll the zoomed-in content you're reading, there's a chance you'll flick at just slightly the wrong angle and cause the content to crop on one edge, making it temporarily unreadable. The effect is annoying.</p>

<p>Beyond this, even if you have startling accuracy, still you are doing a lot of work, because your eyes must track your current line as it animates across the screen. For sustained reading, this quickly gets physically tiring.</p>

<p>Pagination works for long text, not because it has a real-world analogy to printed books or whatever, but because it maximises your interface: you read the entire screenful of text, then with a single command, you request an entirely new screenful of text. There's very little wastage of attention or effort. You can safely blink as you turn.</p>

<p>If you're clever, there's one affordance you could add to a pagination interface: the ability to linger over the last line during the execution of the command to see the new screenful. This gives us a greater sense of efficiency, of reading and turning at the same time, which scrolling in its kindest assessment can sometimes achieve.</p>

<p>-- J</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2010-12-09T15:37:32-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2010/12/a_test_of_the_internet_archive.html">
<title>a test of the Internet Archive&apos;s new embeddable reader</title>
<link>http://www.futureofthebook.org/blog/archives/2010/12/a_test_of_the_internet_archive.html</link>
<description><![CDATA[<p><iframe src='http://www.archive.org/stream/originofspecies00darwuoft?ui=embed#mode/1up' width='480px' height='430px' frameborder='0' ></iframe></p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2010-12-09T15:09:30-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2010/12/anniversary.html">
<title>anniversary</title>
<link>http://www.futureofthebook.org/blog/archives/2010/12/anniversary.html</link>
<description><![CDATA[<p>today marks the sixth anniversary of the first post on if:book -- <a href="http://www.futureofthebook.org/blog/archives/2004/12/three_books_that_influenced_yo.html">"Three Books That Influenced Your World View"</a></p>

<p>and a day later, <a href="http://www.futureofthebook.org/blog/archives/2004/12/an_exchange_with_alan_kay.html">an exchange with Alan Kay</a> about the list<br />
</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2010-12-07T10:53:44-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2010/12/excellent_review_of_social_rea.html">
<title>excellent review of social reading</title>
<link>http://www.futureofthebook.org/blog/archives/2010/12/excellent_review_of_social_rea.html</link>
<description><![CDATA[<p>Kassia Krozser has posted a long <a href="http://booksquare.com/reading-in-the-digital-age-or-reading-how-weve-always-read/">thoughtful piece</a> on social reading. </p>

<blockquote>As much as the idea of enhanced ebooks brings the sexy to publishing, it doesn't really do much for most of the books published. Enhanced, enriched, transmedia, multimedia...these are ideas best applied to those properties that lend themselves to multimedia experience (or, ahem, the associated price tag). While many focus on the bright and shiny (and mostly unfulfilled) promised of apps and enhanced ebooks, the smart kids are looking at the power of social reading.</blockquote>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2010-12-01T10:47:36-05:00</dc:date>
</item>

<item rdf:about="http://www.futureofthebook.org/blog/archives/2010/11/reading_and_writing_--_live.html">
<title>reading and writing -- LIVE</title>
<link>http://www.futureofthebook.org/blog/archives/2010/11/reading_and_writing_--_live.html</link>
<description><![CDATA[<p>at 9am this morning MCM kicked off a <a href="http://3d1d.1889.ca/">3-day experiment</a> in LIVE social reading and writing.<br />
 </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>bob stein</dc:creator>
<dc:date>2010-11-26T10:51:06-05:00</dc:date>
</item>


</rdf:RDF>
