Listing entries tagged with hypertext

chicago tribune on e-lit   11.30.2005, 10:49 AM

A November 27 Chicago Tribune article by Julia Keller bundles together hypertext fiction, blogging, texting, and new electronic distribution methods for books under a discussion of "e-literature." Interviewing Scott Rettberg (of Grand Text Auto) and MIT's William J. Mitchell, the reporter argues that the hallmark of e-literature is increased consumer control over the shape and content of a book:

Literature, like all genres, is being reimagined and remade by the constantly unfolding extravagance of technological advances. The question of who's in charge -- the producer or the consumer -- is increasingly relevant to the literary world. The idea of the book as an inert entity is gradually giving way to the idea of the book as a fluid, formless repository for an ever-changing variety of words and ideas by a constantly modified cast of writers.

A fluid, formless repository? Ever-changing words? This is the Ipod version of the future of literature, and I'm having a hard time articulating why I find it disturbing. It might be the idea that the digitized literature will bring about a sort of consumer revolution. I can't help but think of this idea as a strange rearticulation of the Marxist rhetoric of the Language Poets, a group of experimental writers who claimed to give the reader a greater role in the production process of a literary work as part of critique of capitalism (more on this here). In the Ipod model of e-literature, readers don't challenge the capitalist sytem: they are consumers, empowered by their purchasing power.

There's also a a contradiction in the article itself: Keller's evolutionary narrative, in which the "inert book" slowly becomes an obsolete concept, is undermined by her last paragraphs. She ends the article by quoting Mitchell, who insists that there will always be a place for "traditional paper-based literature" because a book "feels good, looks good — it really works." This gets us back to Malcolm Gladwell territory: is it true that paper books will always seem to work better than digital ones? Or is it just too difficult to think beyond what "feels good" right now?

Posted by lisa lynch at 10:49 AM | Comments (1)
tags: blogging , e-books , hypertext , publishing

the book in the network - masses of metadata   11.15.2005, 6:42 PM

In this weekend's Boston Globe, David Weinberger delivers the metadata angle on Google Print:

...despite the present focus on who owns the digitized content of books, the more critical battle for readers will be over how we manage the information about that content-information that's known technically as metadata.

...we're going to need massive collections of metadata about each book. Some of this metadata will come from the publishers. But much of it will come from users who write reviews, add comments and annotations to the digital text, and draw connections between, for example, chapters in two different books.

As the digital revolution continues, and as we generate more and more ways of organizing and linking books-integrating information from publishers, libraries and, most radically, other readers-all this metadata will not only let us find books, it will provide the context within which we read them.

The book in the network is a barnacled spirit, carrying with it the sum of its various accretions. Each book is also its own library by virtue not only of what it links to itself, but of what its readers are linking to, of what its readers are reading. Each book is also a milk crate of earlier drafts. It carries its versions with it. A lot of weight for something physically weightless.

Posted by ben vershbow at 06:42 PM | Comments (0)
tags: ISBN , Libraries, Search and the Web , books , ebook , electronic_literature , folksonomy , google , google_print , hypertext , library , literature , marginalia , metadata , social_software , tagging , weinberger

electronic literature collection - call for works   11.03.2005, 12:35 PM

The Electronic Literature Organization seeks submissions for the first Electronic Literature Collection. We invite the submission of literary works that take advantage of the capabilities and contexts provided by the computer. Works will be accepted until January 31, 2006. Up to three works per author will be considered.

The Electronic Literature Collection will be an annual publication of current and older electronic literature in a form suitable for individual, public library, and classroom use. The publication will be made available both online, where it will be available for download for free, and as a packaged, cross-platform CD-ROM, in a case appropriate for library processing, marking, and distribution. The contents of the Collection will be offered under a Creative Commons license so that libraries and educational institutions will be allowed to duplicate and install works and individuals will be free to share the disc with others.

The editorial collective for the first volume of the Electronic Literature Collection, to be published in 2006, is:

N. Katherine Hayles
Nick Montfort
Scott Rettberg
Stephanie Strickland

Go here for full submission guidelines.

Posted by ben vershbow at 12:35 PM | Comments (0)
tags: art , digital_literature , e-literature , eliterature , fiction , hypertext , literature , multimedia , poetry , writing

transliterature: can humanism transform the web?   10.25.2005, 3:03 PM

For decades now, hypertext guru Ted Nelson has slipped in and out of public awareness, often left for dead or permanently exiled in Xanadu, only to re-emerge suddenly in a wonderful burst of curmudgeonly dissent. A recent Slashdot thread discusses his latest project, or more accurately, the latest stage in his ongoing quest: transliterature, "a humanist format for re-usable documents and media," or, an alternative to the constricting protocols of the world wide web. What exactly will this new format entail? It's hard to tell. But Nelson's plea is worth heeding:

The tekkies have hijacked literature- with the best intentions, of course!-) - but now the humanists have to get it back. Nearly every form of electronic document- Word, Acrobat, HTML, XML- represents some business or ideological agenda. Many believe Word and Acrobat are out to entrap users; HTML and XML enact a very limited kind of hypertext with great internal complexity. All imitate paper and (internally) hierarchy. I propose a different document agenda: I believe we need new electronic documents which are transparent, public, principled, and freed from the traditions of hierarchy and paper. In that case they can be far more powerful, with deep and rich new interconnections and properties- able to quote dynamically from other documents and buckle sideways to other documents, such as comments or successive versions; able to present third-party links; and much more. Most urgently: if we have different document structures we can build a new copyright realm, where everything can be freely and legally quoted and remixed in any amount without negotiation.

Nelson is always given a nod as the coiner of "hypertext", but his other concepts -- "transclusion", "virtual rearrangement", "clinks," for example -- are largely dismissed, or simply unknown to most people. But elements of his thinking can be observed far and wide in some of the emerging practices -- blogging, wikis, APIs -- of what people are calling "Web 2.0", or, the web as operating system. Over the past few years, the web has transformed from an interlinked series of brochures into a massive hypertext conversation, a platform in which we are increasingly able to weave, quote and track back to other documents. This is at least in the neighborhood of what Nelson is talking about.

Granted, the microeconomy of quotation (transclusion) that Nelson envisions has not yet materialized, but that may only be because he is thinking so far ahead of his time. Staying focused on the present, it's worth taking a look at what is developing with online advertising. Keyword ads, Google's "AdSense", Amazon's web services, and even voluntary donation models like PayPal tip jars -- couldn't you say these are the humble foundations of an online micropayment economy? The explosion of electronic self-publishing has not as yet produced an equivelant commercial rigging, but with blogging now accepted as an important medium, that could soon change.

The next generation of publishing software may include a more robust infrastructure that could support some kind of quotation or cross-referencing economy. Right now, the few blogs that make money do so by encrusting themselves with ads. Advertisers will buy space if the site can demonstrate impressive traffic stats. But doesn't this all sort of skirt around the edge of what makes blogging exciting and influential? What if talented bloggers could earn money when significant portions of their writing were quoted?

You can already quote images, video and sound in the way Nelson dreams of quoting text: by loading it remotely, i.e. from another location on the internet. Of course, there is no microtransaction infrastructure in place. It's much more roughshod than that. You simply pull html from the source site, or embed the file's address in a media player, and plug it in your page. That's how I've transcluded John Ashbery reading his poem "The Tennis Court Oath" (source - ubuweb):

There's still a long way to go, but the points of contact with Nelson's theories are many. For me, it's his humanist philosophy, more than the fuzzy mechanics of his proposed system, that is most inspiring. There's a generosity, an understanding of the interdependency of form and content, that is conspicuously absent in the prevailing tekkie culture. Perhaps the thinker closest of kin to Nelson was Jef Raskin, whose work on the humane interface is founded on many of the same convictions about usability and connectedness. I also find there's a kind of poetry in Nelson's dream of a literary hypertext economy, captured not only in his writings but in his frayed, manic illustrations (transquoted here):

I think he's a kindred spirit of the institute too. Here's Nelson on electronic literature (sadly, not transquoted, just cut-and-paste):

What is literature? Literature is (among other things) the study and design of documents, their structure and connections. Therefore today's electronic documents are literature, electronic literature, and the question is what electronic literature people really need.

Electronic literature should belong to all the world, not just be hoarded by a priesthood, and it should do what people need in order to organize and present human ideas with the least difficulty in the richest possible form.

A document is not necessarily a simulation of paper. In the most general sense, a document is a package of ideas created by human minds and addressed to human minds, intended for the furtherance of those ideas and those minds. Human ideas manifest as text, connections, diagrams and more: thus how to store them and present them is a crucial issue for civilization.

The furtherance of the ideas, and the furtherance of the minds that present them and take them in, are the real objectives. And so what is important in documents is the expression, reception and re-use of ideas. Connections, annotations, and most especially re-use-- the traceable flow of content among documents and their versions-- must be our central objectives, not the simulation of paper.

Posted by ben vershbow at 03:03 PM | Comments (2)
tags: Transliteracies , design_curmudgeonry , digital_literature , ebooks , history_of_interactive_media , html , hypertext , internet , literature , ted_nelson , transclusion , transliterature , web , web_2.0 , xanadu

"the minotaur project" featured at ELO   09.20.2005, 11:33 AM

Kim's hypermedia poem cluster, "The Minotaur Project," is currently featured at the Electronic Literature Organization. Highly recommended.

Posted by ben vershbow at 11:33 AM | Comments (0)
tags: Kore , Persephone , book , books , digital , digital_literature , ebook , eliterature , hypermedia , hypertext , lit , literature , minotaur , myth , mythology , poem , poetry , reading

digital torah   12.21.2004, 4:28 PM

Varda Books, in collaboration with The Jewish Publication Society, has over the last few years been publishing a series of electronic editions of sacred Jewish texts, commentaries, historical studies, and critical resources, all leveraging the dynamic analytic capabilities of digital media. Popular on Varda's online retail site, ebookshuk, are book "bundles" - collections of sacred texts and critical commentaries that enable nimble and complex intertextual analysis, or, as described for the "JPS Digital Torah Library," serve as the "cornerstone of one's personal, open-standards, inter-linked, cross-file-searchable, digital Jewish library." Other bundles include "Judaic Scholar Digital Reference Library I" and "The Rabbinic Bookshelf."

Jewish scriptural study and the Talmud have often been cited as among the earliest great hypertext traditions. Layered interpretations and non-linear modes of reading have long been central to this tradition, which continues to evolve into digital space.

Posted by ben vershbow at 04:28 PM | Comments (0)
tags: bible , hypertext , intertextuality , jewish , publishing , religion , talmud , torah

Intertextual Community   12.12.2004, 9:58 PM

When I read about Shelly Jackson’s new project—to “publish” a story by tattooing each of its 2,095 words onto the body of a different person—I thought what a great idea, and I wondered if it might actually be telling us something about the direction books are going. As the digital book begins to emerge—glorious, ephemeral, and electric—are we going to feel compelled to make something even more intimate and rarified as counterpoint?

"Skin Literature"

Posted by Kim White at 09:58 PM | Comments (0)
tags: experimental , hypertext , intertextuality , jackson , literature , narrative , publishing , story , tattoo