remix: the movie

hack_film.jpgWired magazine reports that Michela Ledwidge is advancing the future of filmmaking, by taking cues from game moding. In early 2006, she will post all the raw material for her 10 minute sci-fi short film, Sanctuary, to the website:www.modfilms.com . People will be able to edit their own versions of the film. Sanctuary continues the open source trend also fostered by recording artists such as Jay Z who released vocal files of his Black album to encourage DJs to create their own mixes. Some die-hard Jay Z fans even posted everything you need in a similar fashion to Ledwidge.
I hope that many people submit films. I am very interested to see what the results will be on the aggregate level. While many people will undoubtedly create mashup versions with external content, I am especially curious to see the results from people who do not add much additional material. How many interesting stories can be told using these basic parts? Is there a “correct” shot selection or a traditional (i.e. “I learned to edit in film school”) edit? How wedded are we to traditional film narrative conventions which dictate what is “good” and “bad”? Will only a few compelling narratives arise or will many?

One thought on “remix: the movie

  1. bowerbird

    for a very long time now, i’ve been curious about
    whether individual choices about camera-selection
    at, for instance, a sporting event, would aggregate
    into “the best edit” of the footage of that event…
    -bowerbird

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